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DTSTART;VALUE=DATE:20231209
DTEND;VALUE=DATE:20270101
DTSTAMP:20260802T151109
CREATED:20260413T071125Z
LAST-MODIFIED:20260413T083141Z
UID:52140-1702080000-1798761599@ludwigforum.de
SUMMARY:Double Wall Project: Ulrike Müller
DESCRIPTION:Does art do something\, or does art say something? Can there be art without context? How can art be judged: objectively or subjectively? What does it mean to collect art\, to exhibit it publicly\, to curate it?Should all art be exhibited? How is meaning created through the arrangement of artworks? Does art even need to have a meaning?Does every artwork have just one meaning? Or is what defines it its expression?Is expression the meaning of the work? Can an expression be good\, bad or unacceptable? If so\, who decides that? And whose problem does it become: that of the individual\, the audience asa whole\, the artists or the institution? This museum’s collection comprises works of art from around the world dating from 1960 onwards\, with a focus on the USA\, Europe\, the former Soviet Union\, China and Cuba. It is largely based on the collection of Irene and Peter Ludwig.  This room is the answer to a question posed by the new director to all staff at the Ludwig Forum during her own first encounter with the collection: ‘Which works from our collection particularly speak to you\, and which do not speak to you at all?’ The works on display were selected by the staff of the Ludwig Forum and hung as part of a collaborative effort. Contributing Staff comprise the Exhibition Set-up\, Supervision\, Exhibition Technology\, Visitor Services\, Library\, Management\, Cleaning Service\, Inventory\, Communications\, Art Education\, Curation\, Restoration\, Joinery and Administration. The exhibition is still a work in progress and may continue to evolve. Rather than adopting a ‘neutral’\, white cube presentation\, the exhibition\, with its dense ‘Petersburg hanging’\, follows a kind of overwhelming approach that neither focuses the eye nor allows it to rest – and in doing so raises a variety of questions.
URL:https://ludwigforum.de/en/event/double-wall-project-ulrike-mueller/
LOCATION:Ludwig Forum für Internationale Kunst Aachen
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2026/04/2023.12.11_Ludwig-Forum-66.web_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260317
DTEND;VALUE=DATE:20261116
DTSTAMP:20260802T151109
CREATED:20260224T114221Z
LAST-MODIFIED:20260630T140502Z
UID:51688-1773705600-1794787199@ludwigforum.de
SUMMARY:Body Matters. Physicality in the Video Art of the 1970s
DESCRIPTION:Does art do something\, or does art say something? Can there be art without context? How can art be judged: objectively or subjectively? What does it mean to collect art\, to exhibit it publicly\, to curate it?Should all art be exhibited? How is meaning created through the arrangement of artworks? Does art even need to have a meaning?Does every artwork have just one meaning? Or is what defines it its expression?Is expression the meaning of the work? Can an expression be good\, bad or unacceptable? If so\, who decides that? And whose problem does it become: that of the individual\, the audience asa whole\, the artists or the institution? This museum’s collection comprises works of art from around the world dating from 1960 onwards\, with a focus on the USA\, Europe\, the former Soviet Union\, China and Cuba. It is largely based on the collection of Irene and Peter Ludwig.  This room is the answer to a question posed by the new director to all staff at the Ludwig Forum during her own first encounter with the collection: ‘Which works from our collection particularly speak to you\, and which do not speak to you at all?’ The works on display were selected by the staff of the Ludwig Forum and hung as part of a collaborative effort. Contributing Staff comprise the Exhibition Set-up\, Supervision\, Exhibition Technology\, Visitor Services\, Library\, Management\, Cleaning Service\, Inventory\, Communications\, Art Education\, Curation\, Restoration\, Joinery and Administration. The exhibition is still a work in progress and may continue to evolve. Rather than adopting a ‘neutral’\, white cube presentation\, the exhibition\, with its dense ‘Petersburg hanging’\, follows a kind of overwhelming approach that neither focuses the eye nor allows it to rest – and in doing so raises a variety of questions.
URL:https://ludwigforum.de/en/event/body-matters-physicality-in-the-video-and-film-art-of-the-1970s/
LOCATION:Ludwig Forum für Internationale Kunst Aachen
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2026/02/LuFo_100_Bruce-Nauman-Wall-Floor-Positions-1968_2_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260401
DTEND;VALUE=DATE:20270101
DTSTAMP:20260802T151109
CREATED:20260413T064435Z
LAST-MODIFIED:20260413T103041Z
UID:52137-1775001600-1798761599@ludwigforum.de
SUMMARY:Nam June Paik. Earth\, Moon\, Sun
DESCRIPTION:Does art do something\, or does art say something? Can there be art without context? How can art be judged: objectively or subjectively? What does it mean to collect art\, to exhibit it publicly\, to curate it?Should all art be exhibited? How is meaning created through the arrangement of artworks? Does art even need to have a meaning?Does every artwork have just one meaning? Or is what defines it its expression?Is expression the meaning of the work? Can an expression be good\, bad or unacceptable? If so\, who decides that? And whose problem does it become: that of the individual\, the audience asa whole\, the artists or the institution? This museum’s collection comprises works of art from around the world dating from 1960 onwards\, with a focus on the USA\, Europe\, the former Soviet Union\, China and Cuba. It is largely based on the collection of Irene and Peter Ludwig.  This room is the answer to a question posed by the new director to all staff at the Ludwig Forum during her own first encounter with the collection: ‘Which works from our collection particularly speak to you\, and which do not speak to you at all?’ The works on display were selected by the staff of the Ludwig Forum and hung as part of a collaborative effort. Contributing Staff comprise the Exhibition Set-up\, Supervision\, Exhibition Technology\, Visitor Services\, Library\, Management\, Cleaning Service\, Inventory\, Communications\, Art Education\, Curation\, Restoration\, Joinery and Administration. The exhibition is still a work in progress and may continue to evolve. Rather than adopting a ‘neutral’\, white cube presentation\, the exhibition\, with its dense ‘Petersburg hanging’\, follows a kind of overwhelming approach that neither focuses the eye nor allows it to rest – and in doing so raises a variety of questions.
URL:https://ludwigforum.de/en/event/nam-june-paik-earth-moon-sun/
LOCATION:Ludwig Forum für Internationale Kunst Aachen
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2026/04/20260313_photo-studio-pramudiya_NPI_LUDWIG-FORUM-AACHEN_Nam-June-Paik_earth-moon-sun_installationviews_004-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260517
DTEND;VALUE=DATE:20260824
DTSTAMP:20260802T151109
CREATED:20260130T152956Z
LAST-MODIFIED:20260602T132743Z
UID:51404-1778976000-1787529599@ludwigforum.de
SUMMARY:Centaur – Human and Horse
DESCRIPTION:Does art do something\, or does art say something? Can there be art without context? How can art be judged: objectively or subjectively? What does it mean to collect art\, to exhibit it publicly\, to curate it?Should all art be exhibited? How is meaning created through the arrangement of artworks? Does art even need to have a meaning?Does every artwork have just one meaning? Or is what defines it its expression?Is expression the meaning of the work? Can an expression be good\, bad or unacceptable? If so\, who decides that? And whose problem does it become: that of the individual\, the audience asa whole\, the artists or the institution? This museum’s collection comprises works of art from around the world dating from 1960 onwards\, with a focus on the USA\, Europe\, the former Soviet Union\, China and Cuba. It is largely based on the collection of Irene and Peter Ludwig.  This room is the answer to a question posed by the new director to all staff at the Ludwig Forum during her own first encounter with the collection: ‘Which works from our collection particularly speak to you\, and which do not speak to you at all?’ The works on display were selected by the staff of the Ludwig Forum and hung as part of a collaborative effort. Contributing Staff comprise the Exhibition Set-up\, Supervision\, Exhibition Technology\, Visitor Services\, Library\, Management\, Cleaning Service\, Inventory\, Communications\, Art Education\, Curation\, Restoration\, Joinery and Administration. The exhibition is still a work in progress and may continue to evolve. Rather than adopting a ‘neutral’\, white cube presentation\, the exhibition\, with its dense ‘Petersburg hanging’\, follows a kind of overwhelming approach that neither focuses the eye nor allows it to rest – and in doing so raises a variety of questions.
URL:https://ludwigforum.de/en/event/centaur-human-and-horse/
LOCATION:Ludwig Forum für Internationale Kunst Aachen
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2026/01/Yalda-Afsah-Centaur-2020_3-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260524
DTEND;VALUE=DATE:20260921
DTSTAMP:20260802T151109
CREATED:20260130T094601Z
LAST-MODIFIED:20260618T133641Z
UID:51295-1779580800-1789948799@ludwigforum.de
SUMMARY:Christina Kubisch. The Emergence of Sound
DESCRIPTION:Does art do something\, or does art say something? Can there be art without context? How can art be judged: objectively or subjectively? What does it mean to collect art\, to exhibit it publicly\, to curate it?Should all art be exhibited? How is meaning created through the arrangement of artworks? Does art even need to have a meaning?Does every artwork have just one meaning? Or is what defines it its expression?Is expression the meaning of the work? Can an expression be good\, bad or unacceptable? If so\, who decides that? And whose problem does it become: that of the individual\, the audience asa whole\, the artists or the institution? This museum’s collection comprises works of art from around the world dating from 1960 onwards\, with a focus on the USA\, Europe\, the former Soviet Union\, China and Cuba. It is largely based on the collection of Irene and Peter Ludwig.  This room is the answer to a question posed by the new director to all staff at the Ludwig Forum during her own first encounter with the collection: ‘Which works from our collection particularly speak to you\, and which do not speak to you at all?’ The works on display were selected by the staff of the Ludwig Forum and hung as part of a collaborative effort. Contributing Staff comprise the Exhibition Set-up\, Supervision\, Exhibition Technology\, Visitor Services\, Library\, Management\, Cleaning Service\, Inventory\, Communications\, Art Education\, Curation\, Restoration\, Joinery and Administration. The exhibition is still a work in progress and may continue to evolve. Rather than adopting a ‘neutral’\, white cube presentation\, the exhibition\, with its dense ‘Petersburg hanging’\, follows a kind of overwhelming approach that neither focuses the eye nor allows it to rest – and in doing so raises a variety of questions.
URL:https://ludwigforum.de/en/event/christina-kubisch-the-emergence-of-sound/
LOCATION:Ludwig Forum für Internationale Kunst Aachen
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/png:https://ludwigforum.de/wp-content/uploads/2026/05/Bildschirm­foto-2026-05-18-um-06.57.49.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260621
DTEND;VALUE=DATE:20260824
DTSTAMP:20260802T151109
CREATED:20260629T124324Z
LAST-MODIFIED:20260629T132132Z
UID:52948-1782000000-1787529599@ludwigforum.de
SUMMARY:Christina Kubisch. Electrical Walks Aachen
DESCRIPTION:Does art do something\, or does art say something? Can there be art without context? How can art be judged: objectively or subjectively? What does it mean to collect art\, to exhibit it publicly\, to curate it?Should all art be exhibited? How is meaning created through the arrangement of artworks? Does art even need to have a meaning?Does every artwork have just one meaning? Or is what defines it its expression?Is expression the meaning of the work? Can an expression be good\, bad or unacceptable? If so\, who decides that? And whose problem does it become: that of the individual\, the audience asa whole\, the artists or the institution? This museum’s collection comprises works of art from around the world dating from 1960 onwards\, with a focus on the USA\, Europe\, the former Soviet Union\, China and Cuba. It is largely based on the collection of Irene and Peter Ludwig.  This room is the answer to a question posed by the new director to all staff at the Ludwig Forum during her own first encounter with the collection: ‘Which works from our collection particularly speak to you\, and which do not speak to you at all?’ The works on display were selected by the staff of the Ludwig Forum and hung as part of a collaborative effort. Contributing Staff comprise the Exhibition Set-up\, Supervision\, Exhibition Technology\, Visitor Services\, Library\, Management\, Cleaning Service\, Inventory\, Communications\, Art Education\, Curation\, Restoration\, Joinery and Administration. The exhibition is still a work in progress and may continue to evolve. Rather than adopting a ‘neutral’\, white cube presentation\, the exhibition\, with its dense ‘Petersburg hanging’\, follows a kind of overwhelming approach that neither focuses the eye nor allows it to rest – and in doing so raises a variety of questions.
URL:https://ludwigforum.de/en/event/electrical-walks-aachen/
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2026/06/2606_ElectricalWalk-1155-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260628
DTEND;VALUE=DATE:20261019
DTSTAMP:20260802T151109
CREATED:20260629T122613Z
LAST-MODIFIED:20260717T114659Z
UID:52936-1782604800-1792367999@ludwigforum.de
SUMMARY:30 Werke für 100 Tage – Die Sammlung Ludwig und die Gegenwartskunst
DESCRIPTION:Does art do something\, or does art say something? Can there be art without context? How can art be judged: objectively or subjectively? What does it mean to collect art\, to exhibit it publicly\, to curate it?Should all art be exhibited? How is meaning created through the arrangement of artworks? Does art even need to have a meaning?Does every artwork have just one meaning? Or is what defines it its expression?Is expression the meaning of the work? Can an expression be good\, bad or unacceptable? If so\, who decides that? And whose problem does it become: that of the individual\, the audience asa whole\, the artists or the institution? This museum’s collection comprises works of art from around the world dating from 1960 onwards\, with a focus on the USA\, Europe\, the former Soviet Union\, China and Cuba. It is largely based on the collection of Irene and Peter Ludwig.  This room is the answer to a question posed by the new director to all staff at the Ludwig Forum during her own first encounter with the collection: ‘Which works from our collection particularly speak to you\, and which do not speak to you at all?’ The works on display were selected by the staff of the Ludwig Forum and hung as part of a collaborative effort. Contributing Staff comprise the Exhibition Set-up\, Supervision\, Exhibition Technology\, Visitor Services\, Library\, Management\, Cleaning Service\, Inventory\, Communications\, Art Education\, Curation\, Restoration\, Joinery and Administration. The exhibition is still a work in progress and may continue to evolve. Rather than adopting a ‘neutral’\, white cube presentation\, the exhibition\, with its dense ‘Petersburg hanging’\, follows a kind of overwhelming approach that neither focuses the eye nor allows it to rest – and in doing so raises a variety of questions.
URL:https://ludwigforum.de/en/event/30-werke-fuer-100-tage-die-sammlung-ludwig-und-die-gegenwartskunst/
LOCATION:Ludwig Forum für Internationale Kunst Aachen
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2026/06/72_Foto-Carl-Brunn-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260628
DTEND;VALUE=DATE:20261019
DTSTAMP:20260802T151109
CREATED:20260630T180503Z
LAST-MODIFIED:20260630T181416Z
UID:52999-1782604800-1792367999@ludwigforum.de
SUMMARY:Beginners – as if we still had everything to learn
DESCRIPTION:Does art do something\, or does art say something? Can there be art without context? How can art be judged: objectively or subjectively? What does it mean to collect art\, to exhibit it publicly\, to curate it?Should all art be exhibited? How is meaning created through the arrangement of artworks? Does art even need to have a meaning?Does every artwork have just one meaning? Or is what defines it its expression?Is expression the meaning of the work? Can an expression be good\, bad or unacceptable? If so\, who decides that? And whose problem does it become: that of the individual\, the audience asa whole\, the artists or the institution? This museum’s collection comprises works of art from around the world dating from 1960 onwards\, with a focus on the USA\, Europe\, the former Soviet Union\, China and Cuba. It is largely based on the collection of Irene and Peter Ludwig.  This room is the answer to a question posed by the new director to all staff at the Ludwig Forum during her own first encounter with the collection: ‘Which works from our collection particularly speak to you\, and which do not speak to you at all?’ The works on display were selected by the staff of the Ludwig Forum and hung as part of a collaborative effort. Contributing Staff comprise the Exhibition Set-up\, Supervision\, Exhibition Technology\, Visitor Services\, Library\, Management\, Cleaning Service\, Inventory\, Communications\, Art Education\, Curation\, Restoration\, Joinery and Administration. The exhibition is still a work in progress and may continue to evolve. Rather than adopting a ‘neutral’\, white cube presentation\, the exhibition\, with its dense ‘Petersburg hanging’\, follows a kind of overwhelming approach that neither focuses the eye nor allows it to rest – and in doing so raises a variety of questions.
URL:https://ludwigforum.de/en/event/beginners-as-if-we-still-had-everything-to-learn/
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2026/06/IMG_0215-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20261017
DTEND;VALUE=DATE:20270405
DTSTAMP:20260802T151109
CREATED:20260619T111229Z
LAST-MODIFIED:20260619T113615Z
UID:52807-1792195200-1806883199@ludwigforum.de
SUMMARY:Hamid Zénati. Cut Out
DESCRIPTION:Does art do something\, or does art say something? Can there be art without context? How can art be judged: objectively or subjectively? What does it mean to collect art\, to exhibit it publicly\, to curate it?Should all art be exhibited? How is meaning created through the arrangement of artworks? Does art even need to have a meaning?Does every artwork have just one meaning? Or is what defines it its expression?Is expression the meaning of the work? Can an expression be good\, bad or unacceptable? If so\, who decides that? And whose problem does it become: that of the individual\, the audience asa whole\, the artists or the institution? This museum’s collection comprises works of art from around the world dating from 1960 onwards\, with a focus on the USA\, Europe\, the former Soviet Union\, China and Cuba. It is largely based on the collection of Irene and Peter Ludwig.  This room is the answer to a question posed by the new director to all staff at the Ludwig Forum during her own first encounter with the collection: ‘Which works from our collection particularly speak to you\, and which do not speak to you at all?’ The works on display were selected by the staff of the Ludwig Forum and hung as part of a collaborative effort. Contributing Staff comprise the Exhibition Set-up\, Supervision\, Exhibition Technology\, Visitor Services\, Library\, Management\, Cleaning Service\, Inventory\, Communications\, Art Education\, Curation\, Restoration\, Joinery and Administration. The exhibition is still a work in progress and may continue to evolve. Rather than adopting a ‘neutral’\, white cube presentation\, the exhibition\, with its dense ‘Petersburg hanging’\, follows a kind of overwhelming approach that neither focuses the eye nor allows it to rest – and in doing so raises a variety of questions.
URL:https://ludwigforum.de/en/event/hamid-zenati-cut-out/
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2026/06/264_cropped.jpg
END:VEVENT
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