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DTSTART;VALUE=DATE:20160920
DTEND;VALUE=DATE:20170109
DTSTAMP:20260504T212737
CREATED:20160908T060159Z
LAST-MODIFIED:20160919T083913Z
UID:7257-1474329600-1483919999@ludwigforum.de
SUMMARY:Pictures by Refugee Children
DESCRIPTION:The number of people currently forcibly displaced by war and persecution has surpassed the 60 million mark. Half of them are children. Very few of them reach Europe\, even fewer Germany\, and hardly any Aachen. They arrive with images imprinted in their minds and souls which every mother and father in Germany would do their utmost to prevent their children from seeing. For us\, excruciating\, unbearable to see\, for them part of everyday life for the first few years of their lives. And while fleeing they were also often caught in life-threatening situations. At the accommodation facility in Aachen’s Körner barracks\, the Aachen artist Mohammad Ahmad\, who himself fled from the Iraq-Iran War\, has been painting with the children since the fall of 2015\, depicting with them their sadness and fears but also their hopes and impressions upon finally arriving somewhere. This cultural first aid by the Barockfabrik\, a center for children and youth culture\, has since developed into the Open Studio\, a creative meeting place for all open-minded people in Aachen. \nSeveral hundred pictures by minor-age refugees are now on show in the Ludwig Forum until January 8 2017. The pictures do not aspire to being works of art. The majority are abstract\, and one can only imagine what the children may have witnessed on their journey. Although most do not strive to actually represent a scene or an incident\, some pictures nevertheless show very concrete moments\, such as drowning or death\, having a direct and vivid impression on the Viewer.\n \nDuration: September\, 20\, 2016 (World Children’s Day) to January\, 8\, 2017
URL:https://ludwigforum.de/en/event/bilder-von-gefluechteten-kindern/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2016/09/20160825_081025-rotated.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160702
DTEND;VALUE=DATE:20160926
DTSTAMP:20260504T212737
CREATED:20110106T074024Z
LAST-MODIFIED:20160920T102347Z
UID:5786-1467417600-1474847999@ludwigforum.de
SUMMARY:Plattform Aachen
DESCRIPTION:In a comprehensive overview the research project Plattform Aachen examines the eventful founding phase of the Ludwig Forum for International Art in Aachen. Revealing contemporary documents allow us to closely follow the process of development\, which went on for years and was often characterized by tension. Which decisions taken by local politicians led to abandoning the original idea of a new building on Monheimsallee\, and thus eventually to the complex renovation project for the former umbrella factory of Emil Brauer and Co. in Jülicher Strasse? In 1991 contemporary art\, at home for the previous 20 years in the Neue Galerie\, found its destination in the historical factory building. Under the title of a new kind of Museum\, the Ludwig Forum\, as a center for world art\, broke new ground with its innovative concept and multi-disciplinary program\, instantly becoming a location for artistic encounters and action\, for discussion\, and for active engagement with music\, dance\, poetry\, and film. Historical photos\, newspaper articles\, original documents\, and television reports from the Forum’s archives illustrate the turbulent planning phase through to the spectacular opening of the Ludwig Forum 25 years ago. \nCurators: Marlen Lienkamp and Benjamin Dodenhoff \nPlattform Aachen: The Ludwig Forum – Idea\, Planning\, Realization\, Installation Views \n \n  \n \n  \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/platform-aachen-2/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2016/03/Eröffnung-Ludwigs.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160702
DTEND;VALUE=DATE:20160926
DTSTAMP:20260504T212737
CREATED:20110105T090507Z
LAST-MODIFIED:20170424T075045Z
UID:5791-1467417600-1474847999@ludwigforum.de
SUMMARY:Around the world in 86 days
DESCRIPTION:The exhibition collects works from countries across the globe to mark the birthday celebrations. Important landmark works of Pop Art\, Hyperrealism\, and graffiti as well as exciting pieces by artists from Africa\, Europe\, the Orient\, Latin America\, and Asia – these represent the uniquely broad panoramic perspective on art that the Ludwig Forum stands for. \nIndividual works conjure memories of largescale projects on art from Africa\, Cuba\, and China. These exhibition projects were pioneer undertakings\, of outstanding importance in raising the profile and appreciation of foreign cultural worlds in Europe. They testify to the programmatic direction of the Ludwig Forum: to present and popularize the driving forces behind a global artistic creativity. \nOther works – for example Transition by A. R. Penck\, Step of the Century by Wolfgang Mattheuer\, Sunrise or Sunset by Eric Bulatov\, and Many Glasnosts by Dimitry Prigov – represent the programmatic juxtaposition of art from the east and west\, which the Forum continually reflected on and presented against the backdrop of the collapse of the decades-long east-west divide in Europe. \nPosters and digital photos as well as timeline on the long wall in front of the light tower\, listing all the exhibitions since 1991\, complete the exhibition. \nCurator: Dr. Annette Lagler \nAround the world in 86 days\, Installation Views \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/around-the-world-in-86-days/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2016/03/jungle-jism_klein-300x2561.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160403
DTEND;VALUE=DATE:20160627
DTSTAMP:20260504T212737
CREATED:20100614T204351Z
LAST-MODIFIED:20180809T102324Z
UID:6213-1459641600-1466985599@ludwigforum.de
SUMMARY:Plattform Aachen: Perspektive 03
DESCRIPTION:David Bernstein\, Jason Hendrik Hansma\, Stéphanie Lagarde\, Brenda Tempelaar \nThe Ludwig Forum is taking a look at the current art scene in the Meuse-Rhine region with a small exhibition series. For Perspektive 03 we have invited four artists from the Van Eyck Academy in Maastricht. Although significant differences are evident\, the works of David Bernstein\, Jason Hendrik Hansma\, Stéphanie Lagarde\, and Brenda Tempelaar reveal a shared interest in exploring objects which\, to draw on Paul Valéry\, may be said to be “more intelligible to view and more mysterious to reflect upon”. \nAlmost 100 years ago Marcel Duchamp tried to smuggle his Fountain\, the urinal turned upside down\, into the exhibition space under a false name – this rupturing into its function as an object of use and an artwork ultimately led to the reversed thing not being exhibited. As it was then shown after all at Alfred Stieglitz’s Gallery 291 in New York – and not at the large show put on by the Society of Independent Artists – the magazine The Blind Man (1917) wrote in its defense: “Whether Mr. Mutt made the fountain with his own hands or not has no importance. He CHOSE it. He took an article of life\, placed it so that its useful significance disappeared under the new title and point of view – created a new thought for that object.” \nWhether artefact or ordinary object\, from time immemorial the usual practice has been to try to gain a new perspective from things in the world. Over the last few years a greater interest in our relationship to things in the world is observable. On the one hand\, our experience\, our (collective) memory\, forms the suchness of and the difference between the things we have to deal with. On the other hand however\, things and their properties also determine how we see the world. They evoke imagination and speculation. And ultimately\, we are – from their point of view – also merely another object in this world. It is in this spirit that the four young artists use our all-too-human penchant for fictionalizing life to present us with images and objects which challenge us to break with our entrenched views. \nCurators: Lars Breuer und Holger Otten \nIn cooperation with the Van Eyck Academie\, Maastricht\, and University of Applied Sciences Aachen/Arts and Design.\nSupported by: Ministerium für Familie\, Kinder\, Jugend\, Kultur und Sport des Landes Nordrhein-Westfalen\, Jugend- und Kulturstiftung der Sparkasse Aachen and Freunde des Ludwig Forums für Internationale Kunst e.V. \nBrochure PDF \n  \n \n \n \nImages: Brenda Tempelaar\, Recession (Untimely Monument for Brancusi)\, 2015\, MDF. Courtesy the artist (oben\, vorne); Stéphanie Lagarde\, Drapé 4\, 2013\, from the series Stare\, b/w photograph. Courtesy the artist (oben\, hinten); David Bernstein\, Even if it’s not true it’s well found\, 2015\, steel and tigers eye. Courtesy the artist (Mitte); Jason Hendrik Hansma\, Seams\, 2016\, silver gelatine photographs\, Gongshí stones\, eggshell porcelain\, pearl\, birch\, laser prints on paper. Courtesy the artist (unten); photos: Ludwig Forum Aachen/Carl Brunn
URL:https://ludwigforum.de/en/event/a-matter-of/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2016/03/perspektive_03_neu.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20160313T080000
DTEND;TZID=UTC:20160605T170000
DTSTAMP:20260504T212737
CREATED:20100313T121346Z
LAST-MODIFIED:20170731T120710Z
UID:5170-1457856000-1465146000@ludwigforum.de
SUMMARY:DYSTOTAL
DESCRIPTION:Brave new world? – Visions of modernity are negotiated in the group exhibition DYSTOTAL. By dealing with the visual vocabulary of the historical avant-garde\, the works collected in DYSTOTAL newly fathom the concept of the absolute or the Gesamtkunstwerk\, from longing via empathetic upheaval to failure in stagnation. \nA number of the 17 participating artists will produce site-specific works of various genres – wall paintings\, installations\, sculptures and architectures\, adopting\, copying and imitating the historical avant-garde’s language. This way DYSTOTAL turns the Ludwig Forum’s central exhibition hall into an extensive installation\, in which heterogeneous works encounter one another: computer game aesthetics meet neo-classical forms\, romantic elements are combined with science fiction blockbuster film stills. \nParticipating Artists: Linda Arts\, Ford Beckman\, Heiner Blum\, Nicolas Chardon\, Tim Cierpiszewski\, Neil Clements\, Markus Ebner\, Angela Fette\, Gabriel Kuri\, Gerold Miller\, Renato Nicolodi\, Jan van der Ploeg\, Martin Pfeifle\, Anja Schwörer\, Esther Stocker\, Sebastian Wickeroth\, Lars Wolter. \nCurated by the artist group Konsortium (Lars Breuer\, Sebastian Freytag\, Guido Münch) and Esther Boehle (Ludwig Forum). \nSupporters: Stiftung Kunst Kultur und Soziales der Sparda-Bank West\, Mondriaan Fund \n Watch the Trailer for DYSTOTAL \n \n  \nDYSTOTAL\, Installation Views \n \n\n\n\n\n  \n \n  \n \n  \n \n  \n \n  \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/dystotal-2/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2010/03/08-Konsortium-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160202
DTEND;VALUE=DATE:20161108
DTSTAMP:20260504T212737
CREATED:20110107T151741Z
LAST-MODIFIED:20180809T095323Z
UID:6426-1454371200-1478563199@ludwigforum.de
SUMMARY:Between Abstraction and Figuration
DESCRIPTION:Movements and disruptions in art since 1960 \nUntil the 1960s\, the myth of a directional development continued in modern art\, its movement from figuration to abstraction\, namely from its function as likeness would lead to the work of art representing nothing other than itself. At the end of this development would stand the kind of art that completely renounces the object\, in its last consequence the abstract monochrome or painting\, which abandons the image’s support altogether: the minimalist object itself. \nToday\, of course\, we know that modernity is marked more by its disruptions than by its continuities and that the New York School was followed by a rediscovery of the figurative\, for example in everyday and media culture. Counter-movements such as pop art\, conceptual art\, land art\, performance art etc. can also be found outside of the US. \nStarting from the American art of the 1960s and 70s\, which made the Ludwig Collection famous\, in this collection presentation the various ways of abstraction and figuration\, such as the mutual interrelations\, parallels and disruptions\, are exem-plarily illustrated also outside of the United States. In each case\, two artworks of the same year are juxtaposed. \nArtists of the exhibition: John Baldessari\, Bernd und Hilla Becher\, Lygia Clark\, Richard Hamilton\, Alex Hay\, Valerie Jaudon\, Jasper Johns\, Roy Lichtenstein\, Richard Long\, Lee Lozano\, Piero Manzoni\, Gerhard Richter\, Allen Sonfist\, Wolf Vostell\, Andy Warhol\, Peter Young et al. \nCurator: Holger Otten \n  \n \n \n \n \n \n \nExhibition views\, photos: Ludwig Forum Aachen/Carl Brunn
URL:https://ludwigforum.de/en/event/between-abstraction-and-figuration/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2016/01/couples-e1452848308142.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20151205
DTEND;VALUE=DATE:20160314
DTSTAMP:20260504T212737
CREATED:20150731T104543Z
LAST-MODIFIED:20180809T104800Z
UID:4723-1449273600-1457913599@ludwigforum.de
SUMMARY:Plattform Aachen: Perspektive 02
DESCRIPTION:More than 40 years after the performance by Kraftwerk\, pioneers of electronic music\, at the Neue Galerie – Sammlung Ludwig (1970) the Ludwig Forum Aachen shows with Magazine not only the post internet movement of the music avant-garde but also an artistic form which productively breaks open in their work established formats of art production. \nShortly after founding the Cologne label Magazine in 2010\, it turned into a top notch name in the international label scene located between art and techno. Contrary to the Berlin-trend\, the label founder Daniel Ansorge alias Barnt\, Jens-Uwe Beyer and John Harten alias Crato turn of the millennium were drawn towards the Rhineland\, absorbing the spirit of Cologne’s city and region\, merging with the avant-garde of art\, New Music and the electronic club culture. Next to Karlheinz Stockhausen\, the Krautrockband Can and Wolfgang Voigt\, a dinosaur of German minimal techno\, parallel art movements since the 1960s offered inspiration to a concept label such as Magazine\, which will be presented at the Ludwig Forum with their first institutional exhibition. \nThe grand theoretician of Pop culture Diedrich Diederichsen aptly described the record as a minimalist object\, covered in a Pop Art-wrapping. Even more so the Name Magazine refers to a storage as well as a news-magazine and stands for a concept that in its musical and visual presentation conveys a total work of art. \nAlongside a concert of Barnt\, Jens-Uwe Beyer and Crato\, Magazine presents its new record together with an exclusive Edition. \nwww.magazine.mu\nhttps://soundcloud.com/magazine-records \nWDR5\, Scala\, 08.12.15\nDeutschlandfunk\, Corso\, 03.12.15\n \nCurators: Lars Breuer and Holger Otten \nIn cooperation with University of Applied Sciences Aachen/Arts and Design.\nSupported by: Ministerium für Familie\, Kinder\, Jugend\, Kultur und Sport des Landes Nordrhein-Westfalen\, Jugend- und Kulturstiftung der Sparkasse Aachen and Freunde des Ludwig Forums für Internationale Kunst e.V. \n  \n \n \n \n \nExhibition views\, photos: Carl Brunn / Ludwig Forum Aachen \n  \n  \n \n \n \nMAGAZINE (Barnt\, Jens-Uwe Beyer\, Crato)\, Concert\, 04.12.2015\, photos: Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/plattform-aachen-2/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/07/magazine_silhouettes_white-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20151025
DTEND;VALUE=DATE:20160111
DTSTAMP:20260504T212737
CREATED:20150511T121205Z
LAST-MODIFIED:20161129T142302Z
UID:4082-1445731200-1452470399@ludwigforum.de
SUMMARY:Tim Berresheim
DESCRIPTION:Simulated realities in the astonishing precision of Old Masters: with his computer the Aachen artist Tim Berresheim generates idiosyncratic scenarios in a visual language which emerges from the tension between computer technology and a questioning exploration of reality. He is constantly seeking to create something radical new with the latest technology. In the process\, he realizes his visual manipulations in a variety of ways: he creates computer images\, photographs or silkscreens through to whole room-filling installations which represent still lifes\, spatial illusions and visions of the future. Extraordinarily incisive images are the result\, which quite often have something mysterious about them – and these can brought to life with an Augmented Reality App especially developed for the exhibition. \nThe most extensive overview of Tim Berresheim’s work since 2003\, the Aachen exhibition opens with an innovative program highlighting the unique synthesis out of art and technology. Visitors can – for example – take part in special guided tours to the aixCAVE at the RWTH\, the largest Virtual Reality System worldwide\, where Berresheim staged his work Disguise and Delude. \nTim Berresheim (b. 1975 in Heinsberg) is one of the most important protagonists of contemporary\, computer-generated art. He lives and works in Aachen\, is active as an artist and a musician\, while running his own label and project space. \nCurator: Esther Boehle \nSupporters: regio iT\, NRW KULTURsekretariat\, Ministry of Family\, Children\, Youths\, Culture and Sport of the Land Nordrhein-Westfalen \nCooperation partner: IT-Center – RWTH Aachen\, C/O Lauscher GmbH\, Virtourio GmbH \nTim Berresheim\, Installation Views \n \n  \n \n  \n \n  \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/tim-berresheim/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/05/Tim-Berresheim-Aspettatori-bugged-out-I-Auge-Welt-2014-Diasec-240-x-180-cm.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150927
DTEND;VALUE=DATE:20151116
DTSTAMP:20260504T212737
CREATED:20150723T083224Z
LAST-MODIFIED:20180809T105600Z
UID:4682-1443312000-1447631999@ludwigforum.de
SUMMARY:Plattform Aachen: Perspektive 01
DESCRIPTION:In form of a small exhibition series\, the Platform Aachen looks into the present age of art production in the Rhine-Maas-area. Starting with the rhein verlag\, which came into existence in 2008 out of a loose connection of young Duesseldorf artists\, whose joint interest in the book as an artistic medium\, caused them to found a publishing house. \nEvery book is seen as a self-contained artwork and designed as such. The thought of the book as a so-called “primary work” developed in the 1960s especially through the artist Ed Ruscha\, who establishes the book as a work of art as one of the first of his time. In the 1970s Clive Phillpot and Ulises Carrión understand specific characteristics of the book as part of the artistic work. In their “bookworks” they elevated as an artwork and celebrated its mass media qualities. A book is intimate. But it is also: transportable\, replaceable\, affordable und therefore democratic. \nrhein verlag sees itself in this tradition. It does not produce unique copies\, the books are not signed and they are published in an unlimited edition. The American concept artist John Baldessari programmatically comments on this: “As so many people can own the book\, nobody owns it. Every artist should have such a cheap-series\, in this way art stays ordinary and saves itself from taking off.” \nCurators: Lars Breuer and Holger Otten \nIn cooperation with Prof. Ilka Helmig\, University of Applied Sciences Aachen/Arts and Design.\nSupported by: Ministerium für Familie\, Kinder\, Jugend\, Kultur und Sport des Landes Nordrhein-Westfalen\, Jugend- und Kulturstiftung der Sparkasse Aachen and Freunde des Ludwig Forums für Internationale Kunst e.V. \n  \n \n \nExhibition views\, photos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/plattform-aachen/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/07/buch-the-remaining_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20150920T080000
DTEND;TZID=UTC:20151122T170000
DTSTAMP:20260504T212737
CREATED:20150226T090000Z
LAST-MODIFIED:20170331T101434Z
UID:3885-1442736000-1448211600@ludwigforum.de
SUMMARY:Videozone: Eric Baudelaire
DESCRIPTION:In his films\, photographies and installations French artist Eric Baudelaire explores history\, its sources\, images as well as its modes of representation and perception.\nThe Ugly One (2013) is at once fiction and documentary – about love\, remembering\, forgetting\, and about Beirut\, a city scarred by decades of civil war. The film tells the story of Lili and Michel. Struggling to face their past and present as resistance fighters\, they find themselves questioning the meaning\, purpose and consequences of militant actions. Their thoughts and conversations circle around a planned – or perhaps already carried out – terrorist attack and the fate of a young girl\, onto whom Lili projects her own feelings of guilt. They try to reconstruct a past that also serves as the theoretical construct of a potential future. Baudelaire juxtaposes these scenes with shots of Beirut’s urban landscape\, still marked by the scars of conflict.\nThe Japanese filmmaker and left-wing extremist Masao Adachi\, formerly active in Lebanon as member of The Japanese Red Army\, wrote the first version of a deliberately impossible script\, which Eric Baudelaire recomposed during the shoot. Interwoven with Adachi’s own memories a political narration unfolds\, through which the borders between fact and fiction\, between times and generations become blurred and at the same time are confronted with one another. \nExhibition Text_The Ugly One_Eric Baudelaire \nThe film is presented as an installation\, together with the scripts by Adachi. \nDaily screening:\n12 pm\, 2 pm and 4 pm; Thu 6 pm\n \nSat 24.10. & Sat 21.11. only 12 pm and 2 pm \nCourtesy the Artist and Poulet-Malassis films \nCurator: Miriam Lowack \nThe show is part of the Video Archive research project funded by the Volkswagen-Foundation
URL:https://ludwigforum.de/en/event/videozone-eric-baudelaire-2/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/02/The-Ugly-One-19.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150920
DTEND;VALUE=DATE:20160502
DTSTAMP:20260504T212737
CREATED:20150603T104738Z
LAST-MODIFIED:20160810T111949Z
UID:4280-1442707200-1462147199@ludwigforum.de
SUMMARY:Videoarchive
DESCRIPTION:Since its beginnings in the mid-1960s\, Video has been intertwined with performance in a close and complex relationship. Artists immediately realized the potential of portable cameras to document and to disseminate both public and studio-bound performative actions. \nThe third exhibition in the Ludwig Forum series Video Archive explores how early video in relation to performance meant a medium of documentation and distribution\, but also a genuinely artistic medium. In certain circumstances an action in front of the camera becomes an action for and with the camera\, video as a tool becomes video as an artwork. Performance video becomes video performance. \nThe featured videos (among them well-known works by artists such as Joan Jonas and Bruce Nauman as well as rare documents from the archive) are part of the Ludwig Forum collection and the Video Archive research project\, a collaboration of the Ludwig Forum Aachen with the art history department of the University of Cologne and the ZKM Centre for Arts and Media Karlsruhe. The project is funded by the Volkswagen-Stiftung. \nCurated by Jenny Dirksen and Lou Jonas. \n \n  \nVideoarchive\, Installation Views \n \n  \n \n  \n \n  \n\nPhotos: Carl Brunn/ Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/videoarchive-facing-the-camera/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/06/Rosenbach-Tanz-um-einen-Baum-8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150920
DTEND;VALUE=DATE:20160314
DTSTAMP:20260504T212737
CREATED:20150803T133505Z
LAST-MODIFIED:20160920T080134Z
UID:4731-1442707200-1457913599@ludwigforum.de
SUMMARY:Plattform Aachen
DESCRIPTION:A Fluxus-commotion at the lecture hall\, a burning knight’s castle at the Old Spa House: art\, is not always made for eternity. Beginning in the 1960s\, with performances and happenings\, artists create art forms that do not produce works of material worth\, but only exist for the moment of their performance. By means of rare original documents in the exhibition the research project Platform Aachen reconstructs certain examples that took place in Aachen. \nThe Fluxus-festival at the Technical University of Aachen acted like a starting signal after which Aachen advanced to a lively center for action art in Germany. Not uncommonly newspaper articles\, photos and assumed nondescript publications are the only trail\, reminding of the often provocative art events. But how much story telling is behind the former news coverage and how effektively does this inform our view on the events nowadays? Why have some activities nearly been forgotten by now and others have turned into art historical myths? \nOne of the exhibition’s focal points lies on the activities of the Neue Galerie\, which was since its foundation in 1970 completely committed to contemporary art and hereby – very up to date – also to action art. \nCurator: Benjamin Dodenhoff \nImage: Franz Erhard Walther during the Fluxus-festival\, 20th July 1964 in the Audimax at the TH Aachen\, Photo: Peter Thomann \nPlattform Aachen\, Installation Views \n \n  \n \n  \n \nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/platform-aachen/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/08/Plattform_ACTION_01_web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150717
DTEND;VALUE=DATE:20150831
DTSTAMP:20260504T212737
CREATED:20150629T092327Z
LAST-MODIFIED:20160810T111840Z
UID:4512-1437091200-1440979199@ludwigforum.de
SUMMARY:Le Musée imaginaire
DESCRIPTION:Der Gestalter als Kurator\, Sammler und Autor einer imaginären Ausstellung — das war der Inhalt eines Seminars von Prof. Ilka Helmig\, das an der FH Aachen im Fachbereich Gestaltung stattfand und in dem sich Studierende mit selbstgewählten Themen aus einem kulturellen\, wissenschaftlichen oder gesellschaftlichenKontext auseinandersetzen.Ziel war es die Inhalte in Form einer imaginären Ausstellung zwischen zwei Buchdeckeln zu entwerfen und zu inszenieren. Das Seminar nahm inhaltlich Bezug zum Gedanken des imaginären Museums von André Malraux und dem Atlas Mnemosyne von Aby Warburg\, die sich beide mit der Sammlung und Ordnung komplexer visueller Inhalte beschäftigt haben.Die entstandenen Bücher werden vom 17.07.–30.08.15 im Eingangsbereich des Ludwig Forum gezeigt\, Eröffnung mit Musik und Getränken ist am 16.07.15 um 18.30 Uhr. \nEröffnung mit LUFO Bar:\nDo 16.07.15\, 18.30 Uhr\nEintritt frei
URL:https://ludwigforum.de/en/event/le-musee-imaginaire-das-buch-als-ausstellungsort-2/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/06/imaginaire.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20150531T120000
DTEND;TZID=UTC:20150920T180000
DTSTAMP:20260504T212737
CREATED:20150304T060225Z
LAST-MODIFIED:20160920T082359Z
UID:3898-1433073600-1442772000@ludwigforum.de
SUMMARY:Paulina Olowska - Needle / Nadel
DESCRIPTION:Paulina Olowska is to receive the Aachen Art Prize for 2014. In celebration of the award Olowska will develop a site-specific exhibition project at the Ludwig Forum für Internationale Kunst. \nIn her artistic work Paulina Olowska trawls the historical sources of Modernism\, delves into art and design history\, and draws on fashion and advertising. Fascinated by the utopian promise articulated in the historical avant-garde\, Olowska adopts and makes use of their techniques. She thus works in a variety of media\, such as performance\, video\, sculpture\, painting\, and fashion\, while also curating exhibitions or organizing events. In the process\, forgotten women of bygone eras once again come under the spotlight\, reappraised by Olowska and repositioned historically. She raises the issue of how we read\, appraise and negotiate history\, and thus the present. \nExploring the idea of production\, both industrial and artistic\, the show Needle/Nadel addresses fragmented processes by which an artwork comes to be. Olowska combines disparate sources\, merging found material\, applied arts\, and cast-off or recycled elements from factory production together within her own painting and sculpture. Culling from high and low materiality\, sculptures may juxtapose marble\, metal and pieces of 1960s tapestry. The exhibition structures an interplay between positive and negative\, showing the gaps and by-products of artworks in formation. \nThe title Needle/Nadel plays with the history of the building and the crafts connected with it. Once the production facility for the world’s largest umbrella factory\, its central manufacturing hall filled with working women\, Ludwig Forum today displays international art. \nIn this industrial context of the past\, Olowska’s work negotiates ideas about craft\, labor and the fragile moment of an artwork’s creation. Thus\, the exhibition offers insight into several of Olowska’s emblematic themes like feminism\, fashion\, and a critical nostalgia. Thus\, the exhibition is following several of Olowska’s emblematic themes such as genderism\, fashion and critical nostalgia\, which revels in history while simultaneously questioning and negotiating the interpretation of history\, and thereby also the present. \nCurators: Dr. Brigitte Franzen and Julia Küchle \n  \nPaulina Olowska\, born in 1976 in Gdansk\, studied at the School of the Art Institute of Chicago and the Academy of Fine Arts\, Gdansk. She lives and works near Krakow. Olowska can look back at a series of solo shows in some of the most renowned museums for contemporary art worldwide\, most recently in the Kunsthalle Basel (2013)\, the Stedelijk Museum\, Amsterdam\, in MoMA\, New York (2012)\, and Munich’s Pinakothek der Moderne (2009). Her work has featured in a host of group exhibitions\, for example in the Museum of Modern Art\, Warsaw\, the Sammlung Goetz\, Munich\, in the Carnegie Museum of Art\, Pittsburgh\, and in the Museum Folkwang\, Essen. \nThe Aachen Art Prize is awarded biannually to an artist whose works have had a formative influence on the international art scene. The Aachen Art Prize is donated by the Freunde des Ludwig Forums für Internationale Kunst e.V. and is enabled by cooperation with the City of Aachen and Aachen trade and industry. The award includes prize money of 10.000 Euros and is connected with a solo exhibition in the Ludwig Forum. In 2014 it is supported by Culture.pl\, BMW Group Munich\, Rhein-Nadel Automation GmbH\, Sparkasse Aachen and others. \nJury of the Aachen Art Prize 2014: Dr. Sabine Breitwieser\, director Museum der Moderne\, Salzburg; Dr. Ulrike Groos\, director Kunstmuseum Stuttgart; Dr. Brigitte Franzen\, director Ludwig Forum\, Aachen; Ernst Höhler\, chairman of the Verein der Freunde des Ludwig Forums e.V.. \nPast winners of the Aachen Art Prize: Phyllida Barlow (2012)\, Pawel Althamer (2010)\, Aernout Mik (2008)\, Roman Signer (2006)\, Andreas Slominski (2004)\, Tacita Dean (2002)\, Michael Asher (2000)\, Richard Tuttle (1998)\, Katharina Fritsch (1996)\, Christian Boltanski (1994)\, On Kawara (1992)\, Ilya Kabakov (1990)\, Richard Long (1988)\, A.R. Penck (1985)\, and Luciano Fabro (1983). \n  \nPaulina Olowska – Needle / Nadel\, Installation Views \n \n  \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/needle-nadel-paulina-olowska-2/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/03/PO_Web-Titel.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20150510T120000
DTEND;TZID=UTC:20150531T180000
DTSTAMP:20260504T212737
CREATED:20150325T130459Z
LAST-MODIFIED:20150630T113058Z
UID:3954-1431259200-1433095200@ludwigforum.de
SUMMARY:6. Promotion Award for Children in ART
DESCRIPTION:More than 200 children from Aachen and the city region have collected ideas in the last few months\, experimenting with found objects\, gathering images. All that generated on the subject of “collecting” in the Primary school courses of the “Aachen Model” will be presented in a separate exhibition. As every year\, five children will be selected from all the contributions and will receive the Promotion Award for Children in ART. With the kind support of the Community Foundation of the Sparkasse Aachen and Lindt Sprüngli.
URL:https://ludwigforum.de/en/event/6-kinder-foerderpreis-kunst-2/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/03/IMG_0158.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150510
DTEND;VALUE=DATE:20160822
DTSTAMP:20260504T212737
CREATED:20150325T125239Z
LAST-MODIFIED:20170331T102415Z
UID:3952-1431216000-1471823999@ludwigforum.de
SUMMARY:LUFONAUTS
DESCRIPTION:Children on a discovery tour in the Ludwig Forum \nAstronauts investigate space – Lufonaut explore the Ludwig Forum: All children are invited to go on a great expedition and discover the museum and the works of art. For example\, the hollowed-out tree trunk by the sculptor Thomas Virnich. Is there a secret inside? And why are there two of the same tree trunks\, the second one\, however\, out of clay? Looking at the story of yet another tree\, it gets even stranger. Here a tree plays an important role in a film by Roderick Hietbrink\, where it seriously rustles through the midst of a peaceful living room! \nAbout 30 works of art from the Ludwig Collection invite all visitors\, young and old\, to explore their environment with imagination and impartiality and to engage in new perspectives. To be curious\, to look at things from the other side\, to be surprised especially by the everyday: that is the Lufonauts’ challenge. And the interesting thing is that they thus provide the same challenge as artists do in their work. For both children and artists things can be very important where normal adults do not see anything out of the ordinary\, because they can become starting points for fantastic trips\, ideas and stories. \nCurated by Karoline Schröder and Holger Otten \n  \nLUFONAUTS\, Installation Views \n \n  \n \n  \n \nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/lufonauten-expedition-museum-3/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/03/1504_Lufonauten-2188.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150510
DTEND;VALUE=DATE:20160201
DTSTAMP:20260504T212737
CREATED:20160419T100506Z
LAST-MODIFIED:20160920T081458Z
UID:5955-1431216000-1454284799@ludwigforum.de
SUMMARY:LUFONAUTS - Expedition Aachen North
DESCRIPTION:Expedition Aachen North – Become a Lufonaut! \nWe cordially invite you to expand your explorations and reflections to the museum’s neighbourhood. Often\, the most exciting observations can be made off the known path\, on trails or back ways. Familiar or unknown\, draft a new portrayal of Aachen North with us. \nStart a photo expedition through the district Aachen North and upload your most interesting discoveries on google maps. So\, there will be a wall of photos\, on which all observations are gathered. The photos map and document the visitor’s view of the quarter. All who are interested are asked to form their own idea of Aachen North and participate directly in the exhibition. \nCurated by Karoline Schröder and Holger Otten \nWith the kind support of: \n \n  \nIn cooperation with: \n 
URL:https://ludwigforum.de/en/event/lufonauts-expedition-aachen-north/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/07/1510_Lufo-6600.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150322
DTEND;VALUE=DATE:20160201
DTSTAMP:20260504T212737
CREATED:20151227T134827Z
LAST-MODIFIED:20160725T092903Z
UID:3579-1426982400-1454284799@ludwigforum.de
SUMMARY:Le Souffleur
DESCRIPTION:Where Peter and Irene Ludwig say “Jeff Koons”\, Gaby and Wilhelm Schürmann answer “Mike Kelley” or “Christopher Williams”. The major currents in art followed by the Ludwigs were counteracted by the Schürmanns who were drawn to context oriented positions informed by Institutional Critique and political art. In Le Souffleur these two different attitudes walk a path together: Wilhelm Schürmann was invited to \ncurate an exhibition with the Ludwig collection in mind. The result is an open and agile conception of art spaces in which works from both collections meet on level footing\, an arrangement full of subtleties and interactive comments. Together both collections provide an unusually precise and comprehensive view of contemporary art since 1960. Into the early 1990s Peter and Irene Ludwig continually expanded their collection\, guided by an inquiring spirit that seems absolutely unique today. In \nparticular the upheavals impacting on global society in the late 1980s and early 1990s resonated in their collection. And it is precisely here that the collection of Gaby and Wilhelm Schürmann sets a turning point\, considering the history of art from the perspective of the collector. \nThe collection Gaby and Wilhelm Schürmann have assembled since the mid-1980s\, is today one of the finest of contemporary art worldwide. Their focus is completely different\, reflecting that they belong to a younger generation; along with the enormous political and social developments\, their interest is how the art of their own and a younger generation have responded to such changes. The notion of world art needs to be explained in their view\, and it is in any case very much shaped by its political implications. \nArtists featured in the exhibition (selection): Monika Baer\, Fiona Banner\, Alice Creischer\, Lygia Clark\, Guerilla Girls\, Richard Hamilton\, Lee Lozano\, Jewyo Rhii\, Joëlle Tuerlinckx\, Franz West\, Heimo Zobernig\, Heinrich Dunst\, Anna Oppermann\, Chuck Close\, Valie Export\, and many more. \nDirector: Dr. Brigitte Franzen\nCurator: Wilhelm Schürmann\nCuratorial Assistence: Josephine Mengedoht \nHave a look at the fascinating frame program. \nBehind the Scenes: Installation of the exhibition \nLe Souffleur – Schürmann meets Ludwig\, Installation Views \n \n  \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/le-souffleur-2/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/01/Felix-Oehmann.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150201
DTEND;VALUE=DATE:20150518
DTSTAMP:20260504T212737
CREATED:20150122T110859Z
LAST-MODIFIED:20160725T065254Z
UID:3557-1422748800-1431907199@ludwigforum.de
SUMMARY:Plattform Aachen – Peter Lacroix
DESCRIPTION:Parallel to the exhibition Pure\, the Platform Aachen provides insights into the working approach taken by the artist Peter Lacroix (1924-2010). \nMany of the handwritten notes from the artist’s estate are shown for the first time publicly. On unremarkable slips of paper Lacroix noted his thoughts\, for example: I consider painting in the old way no longer suitable for expressing the feelings of our present\, or I’ve always fought against habits. They are self-reflections on an artistic and political stance that Lacroix preferred to articulate through his work instead of grand proclamations. \nUsing historical newspaper articles\, letters\, and photos from the Platform Aachen archive\, it is possible to retrace the history of some of the projects Lacroix had planned for public urban space. The realization often ran aground on its long journey across the desks and through the conference rooms of municipal decision-makers. The plans testify to an artistic conception however that sought nothing less than to extend the reach of art into everyday life. \nThis presentation also marks the opening of the new exhibition room on the first floor designed by Lars Breuer; it will now feature regularly as a venue for exhibitions and events related to the Platform Aachen. \nCurator: Benjamin Dodenhoff \nPlattform Aachen – Peter Lacroix\, Installtion Views \n \n  \n\nPhotos: Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/plattform-aachen-peter-lacroix/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2015/01/Lacroix-Plattform.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150201
DTEND;VALUE=DATE:20150420
DTSTAMP:20260504T212737
CREATED:20150113T110156Z
LAST-MODIFIED:20160725T080853Z
UID:3498-1422748800-1429487999@ludwigforum.de
SUMMARY:Pure
DESCRIPTION:Peter Lacroix devoted his work to exploring various facets of non-representational art. The oeuvre begins with early works from the 1950s in the Informel style. From 1968 Peter Lacroix created geometric constructions in bright primary colors and black-white contrasts\, very much in the tradition of Concrete Art. The artist translated the affinity to Bauhaus and the signal-like appearance of the works to plans for artistically revitalizing Aachen’s urban profile. In the mid-1970s Peter Lacroix embarked on a conceptual work phase. Based on numerical and color codes\, he let the random principle – in the form of a throw of a dice – determine their arrangement. At the end of the 1980s Peter Lacroix developed an innovative system: from numerical codes based on key personal details and overlapping diagrams he created unusual polygonal forms. Similar to in his last glucose profile images\, abstract formulas and personal portrait come together to form an intriguing unity. \nThe exhibition is generously supported by Andreas Petzold\, the trustee of Peter Lacroix’s artistic estate\, and extensive loans from Reyhane Nematollahi-Lacroix. If not otherwise noted\, all exhibits are from the estate of Peter Lacroix. \nA catalogue will accompany the exhibition with 191 pages\, and approximately 210 colour images. \nCurator: Dr. Annette Lagler \nPure – Peter Lacroix (1924-2010)\, Installation Views \n \n  \n \n  \n\nPhotos: Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/pure/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2014/12/peter_lacroix_wuerfel_gold-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20141116
DTEND;VALUE=DATE:20150223
DTSTAMP:20260504T212737
CREATED:20141103T121339Z
LAST-MODIFIED:20160725T102832Z
UID:3340-1416096000-1424649599@ludwigforum.de
SUMMARY:Michael Dean
DESCRIPTION:As part of the large-scale decentralized exhibition initiative 25/25/25\, the Kunststiftung NRW is marking the 25th year of its existence by bringing together 25 international artists with 25 of the federal state’s municipal museums. Selected by a group of renowned experts\, the artists have been requested to develop a new work of art out of their encounter with the collection of the respective museum. This portrait shall then pass into the collection of the museum. The Ludwig Forum Aachen is one of the selected museums. \nThe British artist Michael Dean has created the installation HA HA HA HA HA HA for the Ludwig Forum. He lined the floor of a room with light-colored MDF panels and positioned a chair in the middle. On the chair is a book and on the book stands a sculpture. The book shows a graphic representation of a tongue in an infinite sequence. Correspondingly\, 24 tongues cast in concrete and painted black are fixed to the walls. Michael Dean’s works seek to establish a direct connection to the human body. They often emerge out an extensive preoccupation with language and its translation into pictorial form and sculpture. Visitors are able to walk through the installation\, touch the sculpture on the chair\, and even tear out pages from the book and take them with them. \nDr. Barbara Könches (Idee und Leitung 25/25/25)\, Kunststiftung NRW\nStephanie Seidel (Curator 25/25/25)\, Kunststiftung NRW\nEsther Boehle (Curator)\, Ludwig Forum Aachen \nMichael Dean\, Installation Views \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen 
URL:https://ludwigforum.de/en/event/michael-dean-2/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2014/11/Michael-Dean_2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20141116
DTEND;VALUE=DATE:20150223
DTSTAMP:20260504T212737
CREATED:20140922T113119Z
LAST-MODIFIED:20170731T122844Z
UID:2594-1416096000-1424649599@ludwigforum.de
SUMMARY:Eastwards
DESCRIPTION:On occasion of the 25th anniversary of the Fall of the Wall\, the Ludwig Forum Aachen and the initiative Europäische Horizonte look eastwards. The exhibition inhabits art from the 1930s to the 1990s of the former Soviet Union and the sister states. Representatives of Socialist Realism\, Soz Art and Russian Non-Conformism\, thereunder Ilya Kabakov\, Vadim Zacharov\, such as the Romanian artist Dan Perjovschi\, the Slovenian artist group Irwin and portraits of the collectors Peter and Irene Ludwig from the Soviet era are juxtaposed. The Videozone contributes a contemporary position with the Kazakh artist Almagul Menlibayeva (*1969). \nAlready in the 1960s the collectors Ludwig gave an account of the fascinating “pluralist state\, whose panorama needed to be shown to the west\, as a mirror of historical and societal circumstances”. Aroused by a distinct art-geographical interest and the wish to investigate Eastern European art\, at the end of the 1970s the Ludwigs began to explore this territory. Due to good business relations and connections to Vladimir Semjonow\, the Soviet ambassador in Bonn\, the collectors acquired their first mixed lot in 1982. The exhibition Eastwards brings remarkable works of art to the fore\, drawing from this repository. \nThe exhibition is accompanied by an extensive  program with films such as Chantal Akerman’s From the East and Janek Miroslav’s Citizen Havel\, talks on The Ludwigs in the East and Europe invents the Gypsies\, debating contemporary politics and cultural history. \nArtists: Janis Avotins\, Georg Baselitz\, Isaak Brodskij\, Werner Büttner\, Ivan Chuykov\, Sven Gundlach\, Jan Kryzevskij\, Andrej Filipov\, Konstantin Finogenov\, Irwin\, Ilya Kabakov\, Jurij Korolev\, Wolfgang Mattheuer\, Sergej Mironenko\, Natalja Nesterova\, Boris Orlov\, A.R. Penck\, Dan Perjovschi\, Viktor Pivovarov\, Dimitrij Prigov\, Willi Sitte\, Eduard Stejnberg\, Rein Tammik\, Vadim Zacharov and many more. \nCurated by Dr. Brigitte Franzen\, Josephine Mengedoht \n  \nEastwards: Freedom\, Borders\, Projections\, Installation Views \n \n  \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen \n  \n\nImage: Sowjetkunst nach Aachen\, Richter Archive\, 1982\, Ludwig Forum\, 2014
URL:https://ludwigforum.de/en/event/eastwards/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2014/09/Rein-Tammik2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20141116
DTEND;VALUE=DATE:20150223
DTSTAMP:20260504T212737
CREATED:20140921T161631Z
LAST-MODIFIED:20160810T112938Z
UID:2851-1416096000-1424649599@ludwigforum.de
SUMMARY:Videozone: Almagul Menlibayeva
DESCRIPTION:Shamans\, nomads\, and socialism: Kazakhstan\, onetime Soviet federated state lying between Europe and Asia\, is a country of contrasts. The Kazak artist Almagul Menlibayeva explores these contrasts in her video works\, alternating between documentary film and mythological storytelling. Her poetically-charged images\, which she combines with a realistic view on desolate landscapes\, give an impression of both the ongoing traditions and dramatic disintegration in her homeland. \nTransoxiana Dreams (2011) looks at the social and ecological changes\, the result of large-scale misguided communist projects\, impacting on the region around the Aral Sea\, once the fourth largest inland sea in the world. Almagul Menlibayeva immerses us in the dream world of a fisherman’s young daughter\, letting us take part in her father’s search for the lake in the dried-out steppe. In visually stunning shots\, centaur-like female figures keep appearing in the barren landscape\, evoking the local nomadic tradition in the inhospitable post-Soviet environment. \nIntriguingly strange female figures also play a role in the two other films. In Kissing Totems (2008) we encounter them on the grounds of a derelict factory\, while in Exodus (2009) they are present as the nomads of the steppe break camp. \nIn all three works we see Kazakhstan’s desolate landscapes and ruins through the eyes of young girls. Alternating between dream and reality\, they show us a picture of their homeland attempting to find its place between past and present. \nCourtesy American-Eurasian Art Advisors LLC\nCurator: Miriam Lowack \nVideozone: Almagul Menlibayeva\, Installation Views \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/almagul-menlibayeva-transoxiana-dreams/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2014/09/S8-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20140601T120000
DTEND;TZID=UTC:20140921T180000
DTSTAMP:20260504T212737
CREATED:20140523T221917Z
LAST-MODIFIED:20190513T053739Z
UID:2165-1401624000-1411322400@ludwigforum.de
SUMMARY:A Children's Kingdom
DESCRIPTION:Program A Children’s Kingdom:\nAll Dates from 2014\, June to September \nThis summer the Polish artist Paweł Althamer is to undertake a diverse\, subtle\, and experimental art project. For four months\, from June 1 through to September 21\, he and his friends from the artist group Reactor – Sculpture Lab based in Warsaw will move into the Ludwig Forum and seek to shed light on themes such as power\, authority\, and freedom from a completely different perspective: from the standpoint of children. The motivation to try something so different and daring is the 1200th anniversary of the death of Charlemagne\, one of the most powerful rulers in the Middle Ages. \nTogether with hundreds of children and youths a Children’s Kingdom will be established that shall extend from the garden and courtyard of the Ludwig Forum\, out across public space\, and finally annex St Elisabeth’s Church opposite. In workshops and performance actions these locations will be regenerated and transformed: the Church occupied\, the surrounds changed\, stories fabricated and told\, costumes designed\, a monument created. The motor propelling these artistic transformations is the candid naivety and creativity of children\, which opens up new perspectives for adults as well. \nA Draftsmen’s Congress will take place in the heart of the museum. Here walls and floors may be used for drawings – an open invitation to everyone to enter dis-cussions via drawn images. In addition\, an Open Academy will provide a platform to create their own works\, and these will then be shown in an exhibition. \nThe proposed highlight will be a festival and parade in fantasy uniforms on the main road in front of the museum – should the children go along with the proposal. They have namely the freedom to carry out the projects in line with their own visions. Althamer and his artist friends\, who will be frequently in Aachen for the duration of the project\, will lend their support to the young artists and performers\, acting as catalysts in the artistic process. \nIt is part of Paweł Althamer’s strategy to undermine existing systems of rules and evoke new models of action. Whether sculpture\, film\, or the four months of a Children’s Kingdom: his works are critical of institutions\, committed to exploring social issues\, and self-reflective. And as results of a process they are at the same time a topic that is concretely present and a carrier of social and aesthetic experience. \nFour elements are at the forefront of his works: interaction\, self-reflection\, participation\, and the process. “I believe that art is an open field of communication\, more open than politics and religion. Today’s art practice is more in flux and in communication with other areas than everything else\, and it resembles most closely what we call freedom.” (Althamer) \nAlthamer’s concern is to identify action-oriented experiments with freedom. As if testing out what freedom is\, he took to the streets of Kassel dressed in a startling full astronaut suit during documenta X. To draw attention to his “inner homelessness” he moved into a tree house in front of the Foksal Gallery in Warsaw for a longer period. In other works he disappears as it were\, becoming a participating observer in a collective\, or he melts into the background completely. In 2006 for instance\, upon being offered a solo exhibition in the Centre Pompidou\, he instead sent eleven young colleagues to Paris. \nOften he turns the spotlight on people whose voices usually go unheard. These include the homeless\, prison inmates\, migrants or children and youths without any prospects. For them\, and together with them\, he conceives of microcosms in which his greatest project\, the interpenetration of art and life\, can take place. At Skulptur Projekte Münster 2007\, Althamer\, ably helped by prison inmates\, trod down a trail that led visitors through the landscape on the outskirts of town\, only to abruptly end in a cornfield. Althamer: “To be in a process\, that is the point. […] My work is all about getting others to comprehend this.” \nThe Aachen project Children’s Kingdom draws on the book King Matt by the author and physician Janusz Korczak\, who was murdered in the Nazi extermination camp of Treblinka. Exploring the idea of a children’s republic\, the project enters the contemporary discourses on freedom and power as well as organization and politics\, while inverting the hierarchical relationship between adults and children. As a contemporary commentary on these issues the project raises questions as to the importance of the youngest members of our society\, the situation in which they have to live\, their wishes and their ideas of freedom. The Children’s Kingdom is thus a laboratory for democracy and democratic practice. \nMartin Schulz\, President of the European Parliament\, will act as patron of the exhibition \n  \nPaweł Althamer\nBorn in Warsaw in 1967\, Althamer has firmly established himself in the international art scene since the mid-1990s. He has taken part for example in documenta X (1997) in Kassel\, Manifesta 3 (2000) in Ljubljana\, the 50th Biennale in Venice (2003)\, the 4th and 7th Berlin Biennales (2006\, 2012)\, the Skulptur Projekte Münster (2007)\, as well as the most recent Venice Biennale (2013). Important museums have held solo exhibitions for the artist\, including the Kunsthalle Basel (1997)\, the Museum of Contemporary Art in Chicago (2001)\, the Centre Pompidou in Paris (2006)\, and the New Museum in New York (2014). In 2004 the Bonnefantenmuseum in Maastricht awarded the artist the Vincent van Gogh Bi-Annual Award for Contemporary Art in Europe. The Aachen Kunstpreis followed in 2010. \nDocumentation of the projekt on Tumblr\nhttp://kinderkoenigreich.tumblr.com/ \nArtists: Paweł Althamer\, Czarli Bajka\, Paweł Chmielewski\, Konrad Chmielewski\, Witold Nazarkiewicz\, Przemysław Pietrzak\, Tomasz Waszczeniuk and Anna Zielińska \nCurators: Dr. Brigitte Franzen and Esther Boehle\nAssistant Curator: Julia Küchle \nEntry to the museum is free of charge during The Children’s Kingdom! \nSupporters: German Federal Cultural Foundation\, BMW Group\, Verein der Freunde des Ludwig Forums\, Adam Mickiewicz Institute\, Peter und Irene Ludwig Stiftung\, VW-Stiftung \nCooperation partner: stadtteilbüro aachen nord (Soziale Stadt Aachen-Nord) \nMedia partner: WDR 3 \n  \nA Children’s Kingdom\,Installation Views and program \n  \nProjekt am Ludwig Forum für Internationale Kunst im Mai 2014. \n \n  \nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/kinderkonigreich/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=UTC:20140413T120000
DTEND;TZID=UTC:20150208T180000
DTSTAMP:20260504T212737
CREATED:20141103T083348Z
LAST-MODIFIED:20170331T094447Z
UID:3319-1397390400-1423418400@ludwigforum.de
SUMMARY:Modern Icons
DESCRIPTION:They are everywhere – icons of Pop music and elite sport\, icons of revolution and resistance. As for the classical religious icon in this context\, it is above all one thing: the origin of modern painting. The clarity of the manner of representation\, the focused reduction on what is essential\, the stylization and repetition of motifs – the strict Canon of forms evident in historical images of saints\, transmitted by a tradition stretching back centuries\, continues to resonate in contemporary art. \nDrawing on paintings from the Ludwig Collection\, the exhibition Modern Icons shows how diversely artists down to the present day have approached and reworked the idea of the icon. Old idols are revered\, transformed\, or destroyed. At the same time\, new\, modern icons are created. \nIn three color variations Jiří Georg Dokoupil brings Christ’s holy face to giant canvasses\, showing how the techniques of modern painting can actually intensify the aura of the traditional images of saints (Shroud of Turin\, 1986). For his photographic-like portrait Richard (1969)\, Chuck Close chooses the same strict frontal compositional schema. Just the transformation into painting already seems to elevate the portrayed figure out of the triviality of the photographic model\, enhancing the iconic aspect. In Franz Gertsch’s Medici (1971) the five young men in jeans\, jumpers and leather jackets\, casually leaning against a building-site barrier\, would almost be an everyday sight if they did not face us\, painted with the meticulous precision of hyperrealism\, from a vast canvas measuring four by six meters. \nPop culture produces its own icons: stars\, comic heroes\, athletes. And the mass media has quickly created its own canon of forms for its idols\, like the peroxide-blonde hair of female film stars\, which Roy Lichtenstein takes up in his comic-like paintings of the 1960s. Motifs and patterns are repeated and invoked so often that they turn into clichés. It is at once irritating and unmasking when the painter takes up the stereotypes circulating in the mass media to present Fidel Castro as an advertising figure for an American perfume (José Angel Toirac\, Eternity\, 1996). \nAbove all Communist regimes utilize the impact generated by religious portrayals. Dissident artists from Cuba\, Eastern Europe\, or China find it extremely difficult to accept the sight of these “modern saints”. They strike back and launch an aesthetic counterattack: applying just the slightest changes\, they are able to tip the exaggerated ceremonious gestures of state art into something obviously ironic\, making these gestures ridiculous (Eric Bulatov\, Sunrise or Sunset\, 1989). \nArtists in the exhibition: Chuck Close\, Jo Baer\, Jirˇí Georg Dokoupil\, Andy Warhol\, Roy Lichtenstein\, Franz Gertsch\, Stefan Balkenhol\, Eric Bulatov\, Ai Weiwei\, Bernd und Hilla Becher\, Erró\, etc. \nCurator: Benjamin Dodenhoff \nWatch this Video about the exhibtion Modern Icons! \nModern Icons\, Installation Views \n\nPhotos: Carl Brunn / Ludwig Forum Aachen \n 
URL:https://ludwigforum.de/en/event/modern-icons-7/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;TZID=UTC:20140413T120000
DTEND;TZID=UTC:20140622T180000
DTSTAMP:20260504T212737
CREATED:20140523T215200Z
LAST-MODIFIED:20160725T091336Z
UID:2331-1397390400-1403460000@ludwigforum.de
SUMMARY:Ellen Gronemeyer
DESCRIPTION:If the pastose application of paint\, the grimacing faces and the injured surfaces by Ellen Gronemeyer remind you of Asger Jorn or Karel Appel you are not entirely off base. Gronemeyer celebrates painting as if there was no yesterday – most recently as a participant of the group exhibition Painting Forever! in Berlin. \nThe Ludwig Forum Aachen will house the young artist’s first museum based solo-exhibition. \nOften applying gloomy shades and grotesque shapes\, Gronemeyer expressively formulates portraits of catlike artists\, headless suits or pointy-nosed ladies. At first sight her pictures seem to con firm all that the viewer knows about figurative painting since the 1950s. On closer observation however\, one starts to doubt these presumptions: Quotations from a pictorial comic language comment the chapped surface in a mean yet smug way\, restraining the pure action through aloof interventions and hereby question ing an all too one-sided perception. The work titles often deal with the change between boisterous painting and intellectual comment. A match that lends depth and contemporaneity to Gronemeyer’s paintings – even though they stubbornly oppose the Zeitgeist. \nTogether with the Ludwig Forum the artist will select around 30 of her works for the presentation. \nCurators: Dr. Brigitte Franzen\, Josephine Mengedoht \nEllen Gronemeyer (*1979) studied i.a. under Daniel Richter at the HfBK Hamburg. She lives and works in Berlin. \n  \nEllen Gronemeyer – Watchever\, Installation Views \n \n  \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/ellen-gronemeyer-2/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20140413
DTEND;VALUE=DATE:20150831
DTSTAMP:20260504T212737
CREATED:20140523T102935Z
LAST-MODIFIED:20160722T064953Z
UID:2373-1397347200-1440979199@ludwigforum.de
SUMMARY:Video Archive
DESCRIPTION:Under the title Painting Electronical Images the videoarchive shows videos from the collection which enter into dialogue with painting. \nEver since their invention artists have used the audiovisual mediums of film and video to confront and challenge the premises and practices of traditional painting. The development of the genre is thus decisively influenced by reformulations of pictorial strategies and conventional aesthetic rules. But the converse is also true: while works of electronic pictorial art always seek to link into the field of painting steeped in tradition\, painters have adopted the modes of expression and impact generated by the new media into their works. And as video advances to an artistic medium in the 1960s and 1970s\, many painters\, sculptors\, concept and performance artists experiment with the new possibilities. \nThe exhibition Painting Electronical Images features positions taken during the first decade of video art which explore the interrelationship between the mediums: these videos are either made like painted pictures and grapple with formal-compositional elements\, or they have pictures as their theme and take a critical look at – often as caricature – art history. They quote famous works and query the traditional notions of the pictorial and indeed\, what constitutes art. \nArtists like Hakudo Kobayashi and Franz Buchholz employ the imaging procedures of video to generate pictorial abstractions. Instead of with brush and paint\, they create electronic images on the screen which\, now displaced into the dimension of time\, continually join together into new forms. \nNan Hoover spoke of photography\, video\, and lights as different brushes for her work. Hoover\, who first worked for 20 years as a painter\, uses a static camera while objects and sources of light move delicately past the lens\, creating flowing\, two-dimensional\, and often abstract compositions. In the process she plays with the picture quality of early video technology with its grainy contrasts to conjure almost imperceptible transitions between figure and ground. \nThe positions of Belgian video art are a particular focus of the collection. The videos on show here take an ironic approach to painting and its history. Pol Bury’s humoristic video sketches target traditional motifs and styles\, while Jacques Lennep’s sequences\, marked by self-irony\, show the artist painting without the necessary artistic utensils\, exposing the put-on artistic attitude. Works by Ulrike Rosenbach\, Lili Dujourie\, Leo Copers\, and Douglas Davis are also featured. \nThe show is part of the Video Archive research project funded by the Volkswagen-Foundation. \nCurators: Lou Jonas\, Miriam Lowack\, Anna Sophia Schultz
URL:https://ludwigforum.de/en/event/video-archive-new/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20131123
DTEND;VALUE=DATE:20140127
DTSTAMP:20260504T212737
CREATED:20131009T142726Z
LAST-MODIFIED:20160722T063109Z
UID:1818-1385164800-1390780799@ludwigforum.de
SUMMARY:Videozone: Wael Shawky – Cabaret Crusades
DESCRIPTION:In his videos\, the Egyptian artist Wael Shawky stages historical and political incidents and thus explores the interpretational space of history. The work Cabaret Crusades: The Horror Show File (2010) is the first part of a trilogy. On the basis of Amin Maalouf’s book The Crusades through Arab Eyes he examines the Arab perspective of the Crusades. Using 200 year old marionettes\, he re-enacts the events that have played a key role for the developments to follow up until the political situation today. \nWael Shawky (*1971 Alexandria) studied Visual Arts at Alexandria University and Graduate School of Fine Arts of the University of Pennsylvania. He has had solo exhibitions at Nottingham Contemporary (2011) and Cittadellarte – Fondazione Pistoletto\, Biella (2010). Moreover\, he participated in the Istanbul Biennial (2011)\, the Biennale di Venezia (2003) and the documenta 13 (2012). In 2010 Shawky founded the education centre MASS Alexandria. \nVideozone: Wael Shawky – Cabaret Crusades\, Installation Views \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/videozone-wael-shawky-cabaret-crusades-2/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20131013
DTEND;VALUE=DATE:20140217
DTSTAMP:20260504T212737
CREATED:20130728T100246Z
LAST-MODIFIED:20160722T090006Z
UID:1859-1381622400-1392595199@ludwigforum.de
SUMMARY:Nancy Graves Project & Special Guests
DESCRIPTION:Nancy Graves (1939 – 1995) is one of the most important artists of the 20th century. In 1969 she was given her first solo exhibition bay the New York Whitney Museum. Two years later she made her debut in Europe in the Neue Galerie Aachen\, where her still world-famous camels found a place among the other exhibits of Hyperrealism. \nThis is the context in which – to this day – Nancy Graves is perceived to belong by most viewers. But is their evaluation right? Graves’ work is permeated by a diversity of artistic currents. Time and again\, she herself also inspired new directions. To show and re-evaluate the artist’s oeuvre in all its subtleness – this was the objective of the curators of the Ludwig Forum. With their Nancy Graves Project\, the first comprehensive retrospective of the artist to be staged in Europe since 1971\, they present about 70 sculptures\, installations\, drawings\, paintings and films. The main focus is on works created between 1969 and 1979. \nA special feature of the Nancy Graves Project is that the curators have invited special guests to help re-evaluate the art-historical importance of Nancy Graves in the context of works by her artistic contemporaries. These guests are expected to include: Eadweard Muybridge\, David Smith\, Hannah Wilke\, Eva Hesse\, Paul Thek\, Joseph Beuys\, Robert Rauschenberg\, Trisha Brown\, Yvonne Rainer\, Nikolaus Lang\, Anne and Patrick Poirier and Robert Smithson. \nThe exhibition is being staged in cooperation with the Nancy Graves Foundation in New York. \nA comprehensive catalogue with texts by Walter Grasskamp\, Joan Simon\, Annette Lagler\, Brigitte Franzen\, Petra Lange-Berndt and interviews with Chuck Close and Yvonne Rainer\, among others\, has been published by the publishers Hatje Cantz\, German/English\, approx. 340 p.\, approx. 400 illustrations\, 21 x 27 cm\, cloth\, approx. € 39\,80 [D]\, ISBN 978-3-7757-3695-4\, August 2013 \nCurated by: Dr. Brigitte Franzen and Dr. Annette Lagler \nCuratorial assistants: Benjamin Dodenhoff\, Josephine Mengedoht \nArt education: The exhibition Nancy Graves Project & Special Guests will be accompanied by an extensive art education programme. Hands-On Activities will permit active\, practical work between art\, nature and science. An open-house restoration workshop will demonstrate the problems involved in restoring and conserving Nancy Graves’ works of art. A short guide for children is being published. \nSponsors: Kulturstiftung des Bundes (German Federal Cultural Foundation)\, Terra Foundation for American Art\, Peter and Irene Ludwig Foundation\, Kunststiftung NRW (Art Foundation NRW)\, Nancy Graves Foundation\, Verein der Freunde des Ludwig Forum (Friends of the Ludwig Forum) \nMedia partners: WDR 3\, AZ/AN \nNancy Graves Project & Special Guests\, Installation Views \n \n  \n \n  \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/nancy-graves-project-special-guests-2/
CATEGORIES:Exhibition
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20130910
DTEND;VALUE=DATE:20150209
DTSTAMP:20260504T212737
CREATED:20131009T135926Z
LAST-MODIFIED:20170331T095922Z
UID:1823-1378771200-1423439999@ludwigforum.de
SUMMARY:Collection
DESCRIPTION:The Ludwig Collection is one of the largest and most important art collections in the world. The collection in the Ludwig Forum comprises around 3.000 works. Quite a few of them are referenced in every book on art history and have become part of the global heritage of art in the 20th century. \nOf special importance were the photo-realist painting Richard by Chuck Close or the true-to-life appearing sculpture Supermarket Lady by Duane Hanson. Peter Ludwig brought both works to Aachen in 1970\, still before the new realism gets known at the legendary documenta 5 in 1972. \nArtists of the exhibition: John de Andrea\, Jean-Michel Basquiat\, Chuck Close\, Don Eddy\, Robert Graham\, Duane Hanson\, Keith Haring\, Jasper Johns\, Alan Johnes\, Jeff Koons\, Roy Lichtenstein\, Philip Pearlstein\, Raymond Pettibon\, Mel Ramos\, John Salt\, George Segal\, Robert Smithson\, Andy Warhol\, Garry Winogrand. \nCurator: Esther Boehle \nCollection: The Americans\, Installation Views \n \n  \n \n  \n\nPhotos: Carl Brunn / Ludwig Forum Aachen
URL:https://ludwigforum.de/en/event/collection-american-highlights-of-the-lufo-collection/
CATEGORIES:Exhibition
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END:VCALENDAR