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DTSTART;TZID=Europe/Berlin:20230911T000000
DTEND;TZID=Europe/Berlin:20231006T000000
DTSTAMP:20230901T122310Z
CREATED:20230831T161523Z
LAST-MODIFIED:20230901T122310Z
UID:37848-1694390400-1696550400@ludwigforum.de
SUMMARY:Temporarily closed
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/temporarily-closed-2/
CATEGORIES:Event,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2022/01/tc-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230911T000000
DTEND;TZID=Europe/Berlin:20231005T000000
DTSTAMP:20230831T160428Z
CREATED:20230831T160428Z
LAST-MODIFIED:20230831T160428Z
UID:37838-1694390400-1696464000@ludwigforum.de
SUMMARY:temporarily closed
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/temporarily-closed/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230903T123000
DTEND;TZID=Europe/Berlin:20230903T170000
DTSTAMP:20230822T080238Z
CREATED:20230818T084938Z
LAST-MODIFIED:20230822T080238Z
UID:37540-1693744200-1693760400@ludwigforum.de
SUMMARY:Opening Borderland Residencies 2023/24
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/opening-borderland-residencies-2023-24/
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://ludwigforum.de/wp-content/uploads/2023/08/Screenshot-2023-08-10-at-09-50-22-Borderland-Residencies-–-Joining-forces-with-a-truly-unique-network.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230903T000000
DTEND;TZID=Europe/Berlin:20231130T000000
DTSTAMP:20231106T082053Z
CREATED:20230810T114526Z
LAST-MODIFIED:20231106T082053Z
UID:37304-1693699200-1701302400@ludwigforum.de
SUMMARY:Borderland Residencies 2023
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/borderland-residencies-2023/
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2023/08/aliman-borderlands-2023-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230824T183000
DTEND;TZID=Europe/Berlin:20230824T183000
DTSTAMP:20230817T102949Z
CREATED:20230706T120324Z
LAST-MODIFIED:20230817T102949Z
UID:37193-1692901800-1692901800@ludwigforum.de
SUMMARY:Lecture by Bassem Saad about their contribution to the exhibition "Illiberal Lives"
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/lecture-bassem-saad-illiberal-lives/
CATEGORIES:Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230824T170000
DTEND;TZID=Europe/Berlin:20230824T170000
DTSTAMP:20230814T070950Z
CREATED:20230706T115901Z
LAST-MODIFIED:20230814T070950Z
UID:37189-1692896400-1692896400@ludwigforum.de
SUMMARY:Curator's Tour with Eva Birkenstock and Holger Otten\, Co-Curators of the Exhibition "Illiberal Lives"
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/curators-tour-with-eva-birkenstock-and-holger-otten-co-curators-illiberal-lives/
CATEGORIES:Event,Guided tour
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230818
DTEND;VALUE=DATE:20230821
DTSTAMP:20220630T101128Z
CREATED:20220630T100632Z
LAST-MODIFIED:20220630T101128Z
UID:30852-1692316800-1692575999@ludwigforum.de
SUMMARY:KIMIKO
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/kimiko/
CATEGORIES:Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230713T183000
DTEND;TZID=Europe/Berlin:20230713T200000
DTSTAMP:20230703T135850Z
CREATED:20230628T152515Z
LAST-MODIFIED:20230703T135850Z
UID:37043-1689273000-1689278400@ludwigforum.de
SUMMARY:Artist talk with Mikołaj Sobczak\, artist of the exhibition "Illiberal Lives" (in German)
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/artist-talk-with-mikolaj-sobczak-artist-of-the-exhibition-illiberal-lives/
CATEGORIES:Event,Guided tour
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230713T170000
DTEND;TZID=Europe/Berlin:20230713T180000
DTSTAMP:20230703T143938Z
CREATED:20230607T091020Z
LAST-MODIFIED:20230703T143938Z
UID:37158-1689267600-1689271200@ludwigforum.de
SUMMARY:Curator's tour with Holger Otten
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/curators-tour-with-holger-otten/
LOCATION:Ludwig Forum für Internationale Kunst Aachen
CATEGORIES:Event,Guided tour
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2023/05/2023.04.19_Ludwigforum-25.web_-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230525T160000
DTEND;TZID=Europe/Berlin:20230525T200000
DTSTAMP:20230524T154845Z
CREATED:20230331T141641Z
LAST-MODIFIED:20230524T154845Z
UID:35988-1685030400-1685044800@ludwigforum.de
SUMMARY:"Keren Cytter Does Not Like to Share"  – Book launch and screening
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/book-launch-keren-cytter-does-not-like-to-share-by-mathilde-supe/
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2023/03/1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230504T183000
DTEND;TZID=Europe/Berlin:20230504T183000
DTSTAMP:20230502T082536Z
CREATED:20230405T141246Z
LAST-MODIFIED:20230502T082536Z
UID:36115-1683225000-1683225000@ludwigforum.de
SUMMARY:Explosions Near the Museum – Screening and Conversation
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/explosions-near-the-museum-screening-and-conversation/
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2023/04/ExplosionsNeartheMuseum_Still_1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230422T110000
DTEND;TZID=Europe/Berlin:20230422T110000
DTSTAMP:20230420T150417Z
CREATED:20230406T075744Z
LAST-MODIFIED:20230420T150417Z
UID:36126-1682161200-1682161200@ludwigforum.de
SUMMARY:Illiberal Lives  – Conversation with the curators and the artists
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/illiberal-lives-conversation-with-the-curators-together-and-the-artists/
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2023/04/Ho-Rui-An-Student-Bodies-2019-Videostill.-©-Ho-Rui-An.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230422T000000
DTEND;TZID=Europe/Berlin:20230910T000000
DTSTAMP:20240306T075605Z
CREATED:20230228T093338Z
LAST-MODIFIED:20240306T075605Z
UID:34803-1682121600-1694304000@ludwigforum.de
SUMMARY:Illiberal Lives
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/illiberal-lives/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2023/02/Illiberal-Lives-poster-EN-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230312T150000
DTEND;TZID=Europe/Berlin:20230312T150000
DTSTAMP:20230317T093757Z
CREATED:20230302T165514Z
LAST-MODIFIED:20230317T093757Z
UID:34861-1678633200-1678633200@ludwigforum.de
SUMMARY:Itinerant Afro-Diasporic Spiritual Technologies
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/lecture-by-gabi-ngcobo/
LOCATION:Ludwig Forum für Internationale Kunst Aachen
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://ludwigforum.de/wp-content/uploads/2023/03/Portrait_small_GN.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230304T120000
DTEND;TZID=Europe/Berlin:20230304T123000
DTSTAMP:20230228T090718Z
CREATED:20230221T100415Z
LAST-MODIFIED:20230228T090718Z
UID:34727-1677931200-1677933000@ludwigforum.de
SUMMARY:Trajal Harrell
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/trajal-harrell/
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2023/02/IMG_2051_photo-by-Orpheas-Emirzas-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230126T180000
DTEND;TZID=Europe/Berlin:20230126T200000
DTSTAMP:20230120T144231Z
CREATED:20230120T105754Z
LAST-MODIFIED:20230120T144231Z
UID:34421-1674756000-1674763200@ludwigforum.de
SUMMARY:Book Launch
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/book-launch/
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2023/01/Coronafuga_Website-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221230T200000
DTEND;TZID=Europe/Berlin:20221230T200000
DTSTAMP:20221208T125624Z
CREATED:20221128T151454Z
LAST-MODIFIED:20221208T125624Z
UID:33592-1672430400-1672430400@ludwigforum.de
SUMMARY:Beat the System! Festival - Pussy Riot
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/beat-the-system-festival-pussy-riot/
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2022/11/bts_typo-by-ddt2w.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221201T180000
DTEND;TZID=Europe/Berlin:20221201T180000
DTSTAMP:20230111T081453Z
CREATED:20221025T153039Z
LAST-MODIFIED:20230111T081453Z
UID:33169-1669917600-1669917600@ludwigforum.de
SUMMARY:Psychic Universe. Lecture by Patrizia Dander
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/psychic-universe-lecture-by-patrizia-dander/
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2022/11/2022.09.20_Ludwigforum-71.web_-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221201
DTEND;VALUE=DATE:20221231
DTSTAMP:20221207T145121Z
CREATED:20221128T140249Z
LAST-MODIFIED:20221207T145121Z
UID:33598-1669852800-1672444799@ludwigforum.de
SUMMARY:Beat the System! Festival at Musikbunker Aachen
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/beat-the-system-festival-at-musikbunker-aachen/
CATEGORIES:Event
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2022/11/bts_typo-by-ddt2w.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221117
DTEND;VALUE=DATE:20221119
DTSTAMP:20221010T074209Z
CREATED:20221010T073903Z
LAST-MODIFIED:20221010T074209Z
UID:32307-1668643200-1668815999@ludwigforum.de
SUMMARY:Training the Archive – Conference on Art & Algorithms
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/training-the-archive-conference-on-art-algorithms/
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://ludwigforum.de/wp-content/uploads/2022/10/Lufo_TTA_Websitescreen.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221115T000000
DTEND;TZID=Europe/Berlin:20230423T000000
DTSTAMP:20230113T120848Z
CREATED:20221021T152745Z
LAST-MODIFIED:20230113T120848Z
UID:32619-1668470400-1682208000@ludwigforum.de
SUMMARY:Palmípeda
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/palmipeda-2/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2022/10/4147_MuseumPlus-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221023T150000
DTEND;TZID=Europe/Berlin:20240205T160000
DTSTAMP:20230102T121633Z
CREATED:20221019T100153Z
LAST-MODIFIED:20230102T121633Z
UID:32486-1666537200-1707148800@ludwigforum.de
SUMMARY:Öffentliche Führung
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/oeffentliche-fuehrung-3/
CATEGORIES:Guided tour
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221022T120000
DTEND;TZID=Europe/Berlin:20221022T153000
DTSTAMP:20230405T125812Z
CREATED:20221019T142840Z
LAST-MODIFIED:20230405T125812Z
UID:32534-1666440000-1666452600@ludwigforum.de
SUMMARY:Belkis Ayón. Matinée with Lectures by Cristina Vives and Yolanda Wood
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/belkis-ayon-matinee-with-lectures-by-cristina-vives-and-yolanda-woo/
CATEGORIES:Event
ATTACH;FMTTYPE=image/png:https://ludwigforum.de/wp-content/uploads/2022/10/Martinica_-1994.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221022
DTEND;VALUE=DATE:20230313
DTSTAMP:20230317T095149Z
CREATED:20220829T083034Z
LAST-MODIFIED:20230317T095149Z
UID:31266-1666396800-1678665599@ludwigforum.de
SUMMARY:Belkis Ayón. Ya Estamos Aquí
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/belkis-ayon-ya-estamos-aqui/
LOCATION:Ludwig Forum für Internationale Kunst Aachen
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2022/04/09-Belkis-Ayon-Sin-titulo_klein.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221021T000000
DTEND;TZID=Europe/Berlin:20221021T000000
DTSTAMP:20221024T144638Z
CREATED:20221024T114651Z
LAST-MODIFIED:20221024T144638Z
UID:32590-1666310400-1666310400@ludwigforum.de
SUMMARY:Palmipeda
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/palmipeda/
CATEGORIES:Exhibition
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20221015
DTEND;VALUE=DATE:20230227
DTSTAMP:20240206T083503Z
CREATED:20221007T092357Z
LAST-MODIFIED:20240206T083503Z
UID:32240-1665792000-1677455999@ludwigforum.de
SUMMARY:Oil painting. Michel Majerus in dialogue with the Ludwig Collection
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/oil-paintings-michel-majerus-in-dialogue-with-the-ludwig-collection/
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2022/10/4233_MuseumPlus-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221011T100000
DTEND;TZID=Europe/Berlin:20221011T150000
DTSTAMP:20220930T110452Z
CREATED:20220902T074657Z
LAST-MODIFIED:20220930T110452Z
UID:31596-1665482400-1665500400@ludwigforum.de
SUMMARY:Places to Peace
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/places-to-peace/
CATEGORIES:Workshop
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2022/05/Peace2-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220925T160000
DTEND;TZID=Europe/Berlin:20220925T170000
DTSTAMP:20220919T083239Z
CREATED:20220919T081249Z
LAST-MODIFIED:20220919T083239Z
UID:31789-1664121600-1664125200@ludwigforum.de
SUMMARY:Finissage with test-film screening
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/finissage-with-test-film-screening/
CATEGORIES:Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220924T110000
DTEND;TZID=Europe/Berlin:20220924T110000
DTSTAMP:20220919T151515Z
CREATED:20220901T080116Z
LAST-MODIFIED:20220919T151515Z
UID:31320-1664017200-1664017200@ludwigforum.de
SUMMARY:Book launch with conversational tour with Kerstin Brätsch\, Kerstin Stakemeier and Eva Birkenstock
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/booklaunch-with-conversational-tour-with-kerstin-braetsch-kerstin-stakemeier-and-eva-birkenstock/
LOCATION:Ludwig Forum für Internationale Kunst Aachen
CATEGORIES:Event,Guided tour
ATTACH;FMTTYPE=image/jpeg:https://ludwigforum.de/wp-content/uploads/2022/09/website-cover.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220924
DTEND;VALUE=DATE:20230227
DTSTAMP:20231123T115334Z
CREATED:20220722T122000Z
LAST-MODIFIED:20231123T115334Z
UID:30935-1663977600-1677455999@ludwigforum.de
SUMMARY:Die Sein: Para Psychics
DESCRIPTION:Mural 09.12.2023 – 09.12.2025Opening: Friday\, December 8\, 2023\, at 7 pmMatinée: Saturday\, December 9\, 2023\, at 11:30 am With Carla Accardi\, Laurie Anderson\, Belkis Ayón\, Lygia Clark\, Nancy Graves\, Alex Hay\, Alfred Jensen\, Bertram Jesdinsky\, Jasper Johns\, Imi Knoebel\, Christopher Knowles\, Svetlana Kopystiansky\, Sol LeWitt\, Lee Lozano\, Rune Mields\, Klaus Paier\, Margit Palme\, Judy Pfaff\, Robert Rauschenberg\, Dorothea Rockburne\, Miriam Schapiro\, Peter Young\, and Fahr El-Nissa Zeid The point of departure for the New York-based artist Ulrike Müller’s exhibition Monument to My Paper Body was the invitation to conceive a site-specific intervention for the two walls that face each other in the Light Tower of Ludwig Forum Aachen\, each nine meters in width and fourteen meters in height. Her murals Paper Body (ghost)\, and Paper Body (pointer)\, both 2023\, are temporary monumentalizations of two small-scale collages\, which\, enlarged to the scale of the architecture\, were transferred to the wall as abstract colored forms\, partly applied using a sponge technique. A selection of collages\, a group of enamel pendants\, the Miniatures\, 2014\, a fabric pattern developed for the exhibition\, and the architectural model of the museum together set in motion a complex play with scale relationships and translations between materials which continues in the adjoining rooms. Monument to My Paper Body presents the variety of painterly and spatial strategies with which Ulrike Müller has\, over the past years\, crossed over between her studio work and public exhibition and education formats. In the process\, forms and materials from the repertoire of art history encounter references drawn from daily life and the so-called applied arts\, establishing a notion of painting beyond brush and canvas. In addition to the two murals\, collages\, monotypes\, drawings\, textile and enamel works by the artist are on display. In the graphic cabinets on the museum’s lower floor\, 198 vector drawings\, diagrams of the colored pencil drawings Ulrike Müller has been producing since 2010\, constitute a continuous frieze\, interrupted in 21 places by individual paintings executed in enamel on steel. These provide insights into the development of motif and color constellations\, while the frieze offers an inventory of formations and repetitions. Within the scope of her artistic activity\, Ulrike Müller has repeatedly engaged with curatorial projects. The undoing of seemingly established categories\, role or genre attributions\, but also of art and collection histories in favor of ambivalences\, instabilities and counterproposals\, as well as an interrogation of gaps and interstices\, are of special interest. For Monument to My Paper Body\, Ulrike Müller—jointly with Eva Birkenstock—has curated a presentation in three gallery spaces in which her own works enter into dialogue with selected works from the collections. Taken out of their art-historical framing\, familiar and less often viewed holdings from the collections are rearranged along the lines of Müller’s investigations\, methodologies\, and fields of interest. Monument to My Paper Body shifts the concept of the monumental. The logic of claiming significance through enlargement encounters fragility\, temporality and the open nature of Ulrike Müller’s collages made from scraps of paper. The collection body\, the body of her paper works\, as well as the bodies of viewers moving through the exhibition spaces are placed in a dynamic field in which size relationships\, value constellations and agency appear as questions. The exhibition continues the Double Wall Projects series (2004-08) initiated by Harald Kunde\, for which artists were invited to activate the museum’s two monumental walls as a site of artistic intervention on an annually rotating basis. Starting this December\, the series— in an expanded form—will once again become an integral component of the exhibition program at the Ludwig Forum. Curated by Eva BirkenstockCuratorial Assistance: Mailin HaberlandGraphic Design: HIT The exhibition is generously supported by the Ministry of Culture and Science of North Rhine-Westphalia\, Landschaftsverband Rheinland\, BMKOES\, Land Vorarlberg and Rueff Textil. 								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n																														\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					Events				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n									Friday\, 08.12.2023\, at 7pmOpeningWelcome: Heinrich Brötz\, Councillor for Cultural Affairs\, City of Aachen and Eva Birkenstock\, Curator of the Exhibition\, Director\, Ludwig Forum Aachen Saturday\, 09.12.2023\, at 11:30 am\, SpaceSize MattersMatinée with conversation between Ulrike Müller and Manuela Ammer Sunday\, 28.04.2024\, 12 pmArtist Lecture by Ulrike Müller Wednesday\, 22.05.2024\, 7 pmPresence & Intervention. Notes on the Double Wall Projects 2004-2008 at Ludwig Forum AachenLecture by Prof. Harald Kunde\, Director of the Ludwig Forum from 2002-2008 (German) Sunday\, 09.06.2024\, 12 pm\, SpaceEach One AnotherBook presentation with Rachel Haidu followed by a conversation with Ulrike Müller								\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n							\n			\n						\n		\n						\n				\n				\n				\n									download exhibition booklet
URL:https://ludwigforum.de/en/event/die-sein-para-psychics/
CATEGORIES:Exhibition
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