{"id":1700,"date":"2012-08-29T18:57:17","date_gmt":"2012-08-29T16:57:17","guid":{"rendered":"http:\/\/lufomuseum.fenomen.de\/?page_id=1700"},"modified":"2026-04-13T12:00:28","modified_gmt":"2026-04-13T10:00:28","slug":"collection","status":"publish","type":"page","link":"https:\/\/ludwigforum.de\/en\/museum\/collection\/","title":{"rendered":"Collection"},"content":{"rendered":"\t\t
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Classics of Pop Art, Gerhard Richter and Georg Baselitz, graffiti painting and the Leipzig School: throughout their lives, Peter and Irene Ludwig have amassed an incomparable collection of outstanding works since the early 1960s. Donations and permanent loans from their collection are now housed in more than 20 museums worldwide. The home of this unique collection, however, is the Ludwig Forum f\u00fcr Internationale Kunst<\/em> in Aachen, where the industrialist couple lived and from where they directed one of the largest chocolate and confectionery production operations in the former Federal Republic. The Ludwig Forum Aachen<\/em> houses some 3,000 works from the collection.<\/p>

The Ludwigs were among the first collectors of Pop Art. As early as 1968, they showed the new Americans in Aachen. Among them was Andy Warhol, whose unprecedented career is closely linked to the couple. In 1970, Peter Ludwig traveled to Duane Hanson in New York and acquired important groups of figures by the artist, including the Supermarket Lady<\/em>. The early, scandalous presentations made Aachen a highly relevant exhibition venue for contemporary art-even before the photographic and hyperrealism of documenta 5<\/em> in 1972 began its conquest of Europe. Later, purchases by Jeff Koons, Jonathan Borofsky, Jean-Michel Basquiat, and others continued the American line.<\/p>

Beginning in the early 1970s, the Ludwigs expanded their collecting activities into the GDR and Eastern Europe. Works from the “Eastern Bloc” could often only be acquired in groups, and the state sometimes had a say in the selection of works. Thus, historically relevant paintings are lined up with works by Ilya Kabakov and Erik Bulatov. Purchases in the USSR have been followed since 1983 by Bulgaria, Romania, and Hungary. Early works by Nedko Solakov and Dan Perjovschi thus entered the collection. Later, China and Cuba attracted the attention of collectors. Chinese and Cuban art in particular are focal points at the Ludwig Forum<\/em> in Aachen.<\/p>

In addition to the works from the Ludwig Collection, the museum’s holdings include a number of works from municipal collections. These include, for example, around 300 top-class video works by Bruce Nauman, Richard Serra, Laurie Anderson, Joan Jonas and Nam June Paik.<\/p>

The following works from the collections at the Ludwig Forum are currently on display<\/strong><\/p>


Ground Floor:
<\/strong><\/p>

Entrance<\/strong>
Julia Scher<\/strong>, Security by Julia (Dispenser)<\/em>, 2020<\/p>

Hall<\/strong>
Nairy Baghramian<\/strong>, Side Saddle Damenrad<\/em>, 2009
Georg Baselitz<\/strong>, Scheibenkopf<\/em>, 1986
Peter Br\u00fcning<\/strong>, Stra\u00dfenwand<\/em>, 1968
Lygia Clark<\/strong>, Arquitetura Fant\u00e1stica (Bicho)<\/em>, 1963
Jim Dine<\/strong>, The Field of the Cloth of Gold<\/em>, 1987\/88
Hartwig Ebersbach<\/strong>, Kleiner Hockender<\/em>, 1984
Err\u00f3<\/strong>, Venus<\/em>, 1975
J\u00f6rg Immendorff<\/strong>, Naht (Brandenburger Tor \u2013 Weltfrage)<\/em>, 1982\/83
Gabriel Kuri<\/strong>, Items in Care of Items<\/em>, 2008
L\u00e1szl\u00f3 Feh\u00e9r<\/strong>, Aus T\u00e1c<\/em>, 1987
Nancy Graves<\/strong>, Kenya Dromedary<\/em>, 1969
Nancy Graves<\/strong>, Mongolian Bactrian<\/em>, 1969
Nancy Graves<\/strong>, Still Life, VII-\u00b487<\/em>, 1987
Nancy Graves<\/strong>, Bathymet-Topograph<\/em>, 1978\/79
Nancy Graves<\/strong>, Nefertiti and Archeological Map<\/em>, 1981
Jeff Koons<\/strong>, Large Vase of Flowers<\/em>, 1991
Roy Lichtenstein<\/strong>, Pow Wow<\/em>, 1979
Roy Lichtenstein<\/strong>, Interior with Cactus<\/em>, 1978
Robert Longo<\/strong>, America on Wheels<\/em>, 1991
Ivan Lubennikov<\/strong> (\u0418\u0432\u0430\u043d \u041b\u0443\u0431\u0435\u043d\u043d\u0438\u043a\u043e\u0432), O\u043aea\u043d<\/em>, 1985
Wolfgang Mattheuer<\/strong>, Jahrhundertschritt<\/em>, 1984\/85
Galina Neledva<\/strong> (\u0413\u0430\u043b\u0438\u043d\u0430 \u041d\u0435\u043b\u0435\u0434\u0432\u0430), Familienfest<\/em>, 1966
Nikola Ov\u010dinnikov<\/strong> (\u041d\u0438\u043a\u043e\u043b\u0430 \u041e\u0432\u0447\u0438\u043d\u043d\u0438\u043a\u043e\u0432), Landschaft 2<\/em>, 1988
Name June Paik<\/strong>, Earth, Moon, Sun<\/em>, 1990
Raymond Pettibon<\/strong>, $ 4,oo (I always peruse a Chaucher, a Cervantes or a Milton with delight, and ever sit down to my ledger with a sort of disgust)<\/em>, 1991
Adelaida Pologova<\/strong> (\u0410\u0434\u0435\u043b\u0430\u0438\u0434\u0430 \u041f\u043e\u043b\u043e\u0433\u043e\u0432\u0430), Adam und Eva<\/em>, undated
Gerhard Richter<\/strong>, Landschaft bei Hubbelrath<\/em>, 1969
Hans Scheib<\/strong>, Wedding<\/em>, 1987<\/p>

Library<\/strong><\/div>
Sighard Gille<\/strong>, Reifer Holunder<\/em>, 1991<\/div>
J\u00f6rg Immendorff<\/strong>, Zu Naht: die Sockelidee kam<\/em>, 1985<\/div><\/div><\/div><\/div>

Room 8
<\/strong>Donald Baechler<\/strong>, Bay of Bengal (Third Version)<\/em>, 1987-88
Ivan \u010cujkov<\/strong> (\u0418\u0432\u0430\u043d \u0427\u0443\u0439\u043a\u043e\u0432), Fragment auf Landschafts-Postkarte<\/em>, 1987
Ivan \u010cujkov<\/strong> (\u0418\u0432\u0430\u043d \u0427\u0443\u0439\u043a\u043e\u0432), Ohne Titel, 1969\/70
Marianne Eigenheer<\/strong>, Objektive Malerei<\/em>, 1983
Ellen Gronemeyer<\/strong>, Tipsy Cat 2<\/em>, 2008-09
Peter Herrmann<\/strong>, Tod des Vaters<\/em>, 1987
Bertram Jesdinsky<\/strong>, Serie Baukasten! – “Blauer Widder”, “Gelber Vogel” & “Schlauchtier”<\/em>, 1989
Maksim Kantor<\/strong> (\u041c\u0430\u043a\u0441\u0438\u043c \u041a\u0430\u043d\u0442\u043e\u0440), \u041b\u0438\u0446\u043e, 1987
Konrad Klapheck<\/strong>, Athletisches Selbstbildnis<\/em>, 1958
Brigitta Malche<\/strong>, Fl\u00f6tenmundst\u00fcck<\/em>, 1974
Istv\u00e1n N\u00e1dler<\/strong>, Der 6. Juni 1988<\/em>, 1988
Igor Obrosov<\/strong> (\u0418\u0433\u043e\u0440\u044c \u041e\u0431\u0440\u043e\u0441\u043e\u0432), \u041d\u0430\u0442\u044e\u0440\u043c\u043e\u0440\u0442 \u0441 \u0442\u0435\u043b\u0435\u0444\u043e\u043d\u043e\u043c, 1974
Albert Oehlen<\/strong>, Ohne Titel (Seerosen\/Skulptur), 1984
Uwe Pfeifer<\/strong>, Neust\u00e4dter Fr\u00fchling<\/em>, 1974
Viktor Pivovarov<\/strong> (\u0412\u0438\u043a\u0442\u043e\u0440 \u041f\u0438\u0432\u043e\u0432\u0430\u0440\u043e\u0432), \u0421\u0442\u043e\u043b\u044c \u0434\u043e\u043b\u0433\u043e\u0435 \u043f\u0440\u0438\u0441\u0443\u0442\u0441\u0442\u0432\u0438\u0435, 1973
Rissa<\/strong>, Fettprobe<\/em>, 1967
Inga Savranskaja<\/strong> (\u0418\u043d\u0433\u0430 \u0421\u0430\u0432\u0440\u0430\u043d\u0441\u043a\u0430\u044f), Olja<\/em>, 1974
Aleksandr Sitnikov<\/strong> (\u0410\u043b\u0435\u043a\u0441\u0430\u043d\u0434\u0440 \u0421\u0438\u0442\u043d\u0438\u043a\u043e\u0432), Studentinnen<\/em>, 1972
Radi\u0161 Tordija<\/strong> (\u10e0\u10d0\u10d3\u10d8\u10e8 \u10d7\u10dd\u10e0\u10d3\u10d8\u10d0), Junge, Musik h\u00f6rend<\/em>, 1972
Sergej Volkov<\/strong> (\u0421\u0435\u0440\u0433\u0435\u0439 \u0412\u043e\u043b\u043a\u043e\u0432), \u041f\u0440\u043e\u0434\u043e\u043b\u0436\u0435\u043d\u0438\u0435 \u043e\u0441\u043c\u043e\u0442\u0440\u0430, 1988
Dmitrij \u017dilinskij<\/strong> (\u0414\u043c\u0438\u0442\u0440\u0438\u0439 \u0416\u0438\u043b\u0438\u043d\u0441\u043a\u0438\u0439), Ehepaar Ludwig<\/em>, 1981<\/p><\/div><\/div>

Room 9
<\/strong>John Ahearn<\/strong>, A Boy from Puerto Rico<\/em>, 1982
Alan Cote<\/strong>, Untitled, 1968
Rolf-Gunter Dienst<\/strong>, Momentetagebuch 10.5.68 \u2013 Natascha S. nicht in Florenz, Nr.3<\/em>, 1968
Siron Franco<\/strong>, Noturno<\/em>, 1987
Alex Hay<\/strong>, Steno Pad<\/em>, 1966
Gottfried Helnwein<\/strong>, 48 Portraits<\/em>, 1991
Bertram Jesdinsky<\/strong>, Der gro\u00dfe Fischzug<\/em>, 1990
Roy Lichtenstein<\/strong>, I Know How You Must Feel, Brad\u2026<\/em>, 1963
Anatolij Ma\u0161arov<\/strong> (\u0410\u043d\u0430\u0442\u043e\u043b\u0438\u0439 \u041c\u0430\u0448\u0430\u0440\u043e\u0432), K\u00fcnstler<\/em>, 1983
Wolfgang Mattheuer<\/strong>, Sonnenstra\u00dfe<\/em>, 1990
Igor Obrosov<\/strong> (\u0418\u0433\u043e\u0440\u044c \u041e\u0431\u0440\u043e\u0441\u043e\u0432), Bildnis von V.M. \u0160uk\u0161in<\/em>, 1980
A.R. Penck<\/strong>, Der \u00dcbergang<\/em>, 1963
Gerhard Richter<\/strong>, Teil 1 von Permutationen 1 \u2013 1024<\/em>, 1973\/74<\/p><\/div><\/div>

Room 10<\/strong>
Carla Accardi<\/strong>, Ohne Titel<\/em>, 1965
Donald Baechler<\/strong>, Wienerwald<\/em>, 1986
Stephan Balkenhol<\/strong>, Vier m\u00e4nnliche Figuren<\/em>, 1983
Felix Droese<\/strong>, Dampfer<\/em>, 1981
Juriy Dy\u0161lenko<\/strong>, Nachahmung der V\u00f6gel<\/em>, 1978-1985
Gotthard Graubner<\/strong>, Kissen<\/em>, 1964
Atanas Jaranov<\/strong>, Allein<\/em>, 1984
Jasper Johns<\/strong>, Scent<\/em>, 1974
Roy Lichtenstein<\/strong>, Sailboats through the Trees<\/em>, 1984
Ivan Lubennikov<\/strong> (\u0418\u0432\u0430\u043d \u041b\u0443\u0431\u0435\u043d\u043d\u0438\u043a\u043e\u0432), Veranda<\/em>, 1983
L\u00e1zaro Garc\u00eda Medina<\/strong>, Adam (como signo propio de la finitud en lo universal)<\/em>, 1989
Robert Morris<\/strong>, Ohne Titel<\/em>, 1978
A.R. Penck<\/strong>, Hinter Leo Berrybora dahinter<\/em>, 1975
Arkadij Ivanovi\u010d Petrov<\/strong>, Geldwechseln<\/em>, 1983
Peter Piller<\/strong>, Vandalismus: B\u00e4nke<\/em>, 2000\u20132006
Robert Rauschenberg<\/strong>, Suzerain<\/em>, 1979
Gerhard Richter<\/strong>, Teil von Permutationen 1 \u2013 1024<\/em>, 1973\/74
Rissa<\/strong>, Die Klammer<\/em>, 1968
Augustinas Savickas<\/strong>, Spaziergang<\/em>, 1979
Emil Sorge<\/strong>, Ohne Titel<\/em>, 1984
Eduard Steinberg<\/strong> (\u042d\u0434\u0443\u0430\u0440\u0434 \u0428\u0442\u0435\u0439\u043d\u0431\u0435\u0440\u0433), Komposition mit Ziffern<\/em>, 1988
Don Van Vliet<\/strong>, It\u2019s like a White Onion-Fleshed Pumpkin<\/em>, 1985
Andy Warhol<\/strong>, Saturday\u2019s Popeye<\/em>, 1960
William Wegman<\/strong>, Remnants<\/em>, 1979<\/p>

Basement<\/strong><\/div>
Carlos Alberto Rodr\u00edguez C\u00e1rdenas<\/strong>, Con estudio, trabajo y fusil conquistaremos el 2000<\/em>, 1987\/1988<\/div>
Carlos Alberto Rodr\u00edguez C\u00e1rdenas<\/strong>, Para satisfacer al pueblo<\/em>, 1987\/1988<\/span><\/div>
Carlos Alberto Rodr\u00edguez C\u00e1rdenas<\/strong>, El turismo es cultura<\/em>, 1987\/1988<\/span><\/div>
Carlos Alberto Rodr\u00edguez C\u00e1rdenas<\/strong>, Tres pasos hacia la victoria<\/em>, 1988<\/span><\/div>
Zlatka Dabova<\/strong>, Ohne Titel<\/em>, 1979<\/div>
Donna Dennis<\/strong>, Exorcising the Devil’s Work<\/em>, 1973<\/div>
Donna Dennis<\/strong>, Dark Hotel with Dark Heart (Stripes)<\/em>, 1973<\/div>
Juris Dimiters<\/strong>, Stillleben III<\/em>, 1984<\/div>
Li Fan<\/strong>, Vom Dorfrand wehender Wind<\/em>, 1992<\/div>
Li Fan<\/strong>, Alle drei Tage kleiner Viehmarkt \/ Alle f\u00fcnf Tage gro\u00dfer Viehmarkt<\/em>, 1992<\/div>
Ralph Ladell Goings<\/strong>, Mister Donut<\/em>, 1973<\/div>
Zhang Guilin<\/strong>, Schornstein in Rot<\/em>, 1995<\/div>
Li Hongren<\/strong>, Roter Sonnenaufgang im Osten<\/em>, 1984<\/div>
Roy Lichtenstein<\/strong>, Fish and Sky<\/em>, 1967<\/div>
Kim MacConnel<\/strong>, Exotic Travel 80<\/em>, 1978<\/div>
Wolfgang Mattheuer<\/strong>, Flugversuch<\/em>, 1985<\/div>
Wolfgang Mattheuer<\/strong>, printing plate for Ich wei\u00df nicht, was soll es bedeuten…<\/em>, 1982<\/div>
A. R. Penck<\/strong>, Ohne Titel<\/em>, 1970<\/div>
Viktor Pivovarov<\/strong>, Fahrradfahrer<\/em>, 1992<\/div>
Sandra Ramos<\/strong>, El bote<\/em>, 1994<\/div>
Eduard \u0160tejnberg<\/strong>, Fisa Zajceva<\/em>, 1988<\/div>
Stoimen Stoilov<\/strong>, Slawische Gottheit. Nach den Gedichten von Pencho Slaveikov<\/em>, 1982<\/div>
Jos\u00e9 Toirac<\/strong>, Hasta la victoria siempre<\/em>, 1995<\/div>
Andy Warhol<\/strong>, Portrait Peter Ludwig<\/em>, 1980<\/div>
Wladimir Grigorjewitsch Weisberg<\/strong>, \u041a\u043e\u043c\u043f\u043e\u0437\u0438\u0446\u0438\u044f \u0433\u0435\u043e\u043c\u0435\u0442\u0440\u0438\u0447\u0435\u0441\u043a\u0430\u044f<\/em>, 1981<\/div>

Nina Ivanovna \u017dilinskaja<\/strong>, Ohne Titel<\/em>, aus der Serie “Aachener Motive”, 1981<\/p><\/div>

Herbert Albert<\/strong>, Belgien<\/em>, 1977
Herbert Albert<\/strong>, Formentera<\/em>, 1979
Herbert Albert<\/strong>, Paros<\/em>, 1979
Herbert Albert<\/strong>, Santorin<\/em>, 1979
Wolfgang von Contzen<\/strong>, Aachen<\/em>, 1981
Wolfgang von Contzen<\/strong>, Aachen (Parkplatz)<\/em>, 1981
Wolfgang von Contzen<\/strong>, K\u00f6ln (Fu\u00dfg\u00e4ngerzone)<\/em>, 1981
Wolfgang von Contzen<\/strong>, K\u00f6ln<\/em>, 1981
Peter Helm<\/strong>, Ohne Titel, 1980
Peter Helm<\/strong>, Ohne Titel (Flie\u00dfendes Gew\u00e4sser mit Blattwerk), 1979
Peter Helm<\/strong>, Ohne Titel (Wildbach bei Nacht), 1979
Heiner Ix<\/strong>, Ohne Titel (Stra\u00dfenlaterne mit zwei B\u00e4umen), 1980
Heiner Ix<\/strong>, Ohne Titel (Telefonzelle), 1981
Heiner Ix<\/strong>, Ohne Titel (Notrufs\u00e4ule), 1980
Irmel Kamp<\/strong>, Nessonveaux, Spa Fontaine 340<\/em>, 1979
Irmel Kamp<\/strong>, Barchon, Rue de Heuseux 39<\/em>, 1978
Hans-Martin K\u00fcsters<\/strong>, Patternglobus<\/em>, 1977
Hans-Martin K\u00fcsters<\/strong>, Erker<\/em>, 1976
Hans-Martin K\u00fcsters<\/strong>, Fl\u00f6tent\u00f6ne<\/em>, 1980
Hans-Martin K\u00fcsters<\/strong>, Damensitzung<\/em>, 1979
Hans Laven<\/strong>, Thomas Hammer<\/em>, 1980
Hans Laven<\/strong>, Karlo, Harald und \u201eEnte\u201c<\/em>, 1980
Hans Laven<\/strong>, Kai Simons<\/em>, 1980
Daniel Poensgen<\/strong>, Ohne Titel, 1983
Wilhelm Sch\u00fcrmann<\/strong>, L\u00fcttich<\/em>, 1978\/81
Wilhelm Sch\u00fcrmann<\/strong>, Merkstein<\/em>, 1979\/81
Wilhelm Sch\u00fcrmann<\/strong>, Reinigung<\/em>, 1981
Wilhelm Sch\u00fcrmann<\/strong>, Firmengr\u00fcnder<\/em>, 1981
Wilhelm Sch\u00fcrmann<\/strong>, Verviers<\/em>, 1979\/81<\/div>
\u00a0<\/div><\/div>

First Floor<\/strong>
Marina Abramovi\u0107<\/strong> and Ulay<\/strong> (Frank Uwe Laysiepen), Ausatmen \/ Einatmen<\/em>, 1977
Marina Abramovi\u0107<\/strong> and Ulay<\/strong> (Frank Uwe Laysiepen), Hell \/ Dunkel<\/em>, 1978
John Baldessari<\/strong>, Folding Hat<\/em>, 1971
Ron Hays<\/strong>, Space for Head and Hands<\/em>, 1976
Joan Jonas<\/strong>, Disturbances<\/em>, 1974
Hakud\u014d Kobayashi<\/strong>, Jikyo Jutu<\/em>, 1975
Robert Morris<\/strong>, Neo-Classic<\/em>, 1971
Bruce Nauman<\/strong>, Wall\/Floor Positions<\/em>, 1968
Jacques-Louis Nyst<\/strong>, Le Robot<\/em>, 1975
Ulrike Rosenbach<\/strong>, Sorry Mister<\/em>, 1975<\/p><\/div><\/div>

Courtyard and Loggia
<\/strong>Jonathan Borofsky<\/strong>, Ballerina Clown, 1990
Lars Breuer<\/strong>, Zero history, 2011
Wolfgang Nestler<\/strong>, Rastplatz f\u00fcr die Windstille, 1999
Claes Oldenburg<\/strong>, Colossal Ashtray, 1975<\/p>

Park<\/strong>
Maija Balti\u0146a<\/strong>, Tantasdziesma [Volkslied], 1983
Gruppe Blaustich<\/strong>, GRUNDSTEIN mit BLAUSTICH, ca. 1976-2005
Thomas Virnich<\/strong>, Ludwigs Gartenhaus, 1991-93
Thomas Virnich<\/strong>, Rosentor, 1991
Artur \u017bmijewski<\/strong>, Bild der Lebenszeiten, Kunst der Roboter, lange Arbeit, Kunst der Lebensfreude, Gold, lebendige Gesichter, <\/em>2013<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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