Opening: Wednesday, 26 November 2025, 7pm
KI$$ KI$$ is the first institutional survey exhibition of artist Shu Lea Cheang (b. 1954). Since the 1990s, the Taiwanese American artist’s films, installations and performances – which often develop over several years – have challenged and transformed our understanding of digital technologies.
After moving to New York in the 1980s, Cheang built up contact with the independent film scene and began experimenting with the technologies of video, broadcast, TV and networking. She had a defining role in the still-emergent net art, with her project BRANDON (1998–99) becoming the first piece of internet art to be commissioned by a museum – in this case, New York’s Guggenheim – and included in its permanent collection. Cheang’s work also anticipated the emergence of alternative currencies, explored the “gamification” of social processes and investigated biotechnologies.
In 2019, the artist represented Taiwan at the Venice Biennale with the mixed-media installation 3x3x6. She also established her own film genre, which she calls Scifi New Queer Cinema. She has made four feature films to date, most recently UKI (2023), which has been shown at MoMA in New York, the Centre Pompidou in Paris and at the Institute of Contemporary Arts in London. In 2024, Cheang was awarded the LG Guggenheim Art and Technology Award.
Taking her groundbreaking first feature film Fresh Kill (1994) as a starting point for her show, the exhibition gathers and recontextualises works from the past three decades. At the centre of Cheang’s science-fiction narratives is the interweaving of natural and digital processes, staged within interconnected ‘landscapes formations.’ Out-of-control robots, a car wreck inhabited by fungal growth, an AI-controlled avatar of the artist, as well as digital and natural composting of waste – each room of the exhibition transforms into its own world, inviting the audience to explore and play.
An exhibition by Haus der Kunst München in collaboration with Ludwig Forum Aachen. Curated by Sarah Johanna Theurer (Haus der Kunst) and Holger Otten (Ludwig Forum). Curatorial Assistance: Wiebke Wiesner (Ludwig Forum)
Supported by Peter and Irene Ludwig Foundation, the Ministry of Culture and Science of the State of North Rhine-Westphalia, STAWAG – Stadt- und Städteregionswerke Aachen AG, and NetAachen. Special thanks to the Association for the Promotion of Mycology in the Jülich Region (Verein zur Förderung der Mykologie im Jülicher Land e.V.).
Credits: Shu Lea Cheang, Baby Work (2012/2025), exhibition view Haus der Kunst München, 2025, photo: Milena Wojhan.
Events
Wednesday, 26.11.2025, 7pm
Opening
Thursday, 04.12.2025, 6pm
Guided tour with Holger Otten in German (curator)
Sunday, 11.01.2026, 10am–5pm
Fast Forward – Welcome to the Year 2030
Action Day
Wednesday, 28.01.2026, 3pm
Lunchtime tour Prof Dr phil Roger Häußling (Institute for Sociology, RWTH Aachen) and Holger Otten (curator)
Monday, 09.02.2026, 3pm
Guided tour at Forschungszentrum Jülich
Thursday, 19.02.2026, 3pm
Art and AI: Artificial Intelligence and the Decoding of the Brain
Online Lecture in German with Holger Otten and Dr Christian Schiffer (Team Leader “Large-scale AI for Brain Mapping”, Forschungszentrum Jülich)
You can find the recording of the event here.
Thursday, 05.03.2026, 6pm
Guided tour with Wiebke Wiesner in German (curatorial assistence)
Thursday, 05.03.2026, 7.15pm
Fresh Kill
Film screening of Shu Lea Cheang’s first feature film (engl. OV)
Wednesday, 11.03.2026, 3pm
Guided tour with Holger Otten in German (curator)
Thursday, 12.03.2026, 6pm
A disembodied future?
A discussion about the relationship between humans and machines
Event Partner: Museumsdienst Aachen, vhs Aachen and RWTH Aachen