Double Wall Project: Ulrike Müller
The murals Paper Body (ghost), and Paper Body (pointer) by artist Ulrike Müller (both 2023) are temporary monumentalizations of two small-scale collages, which, enlarged in keeping with the scale of […]
The murals Paper Body (ghost), and Paper Body (pointer) by artist Ulrike Müller (both 2023) are temporary monumentalizations of two small-scale collages, which, enlarged in keeping with the scale of […]
By the late 1960s, video and film had become paradigmatic forms in contemporary art. The Ludwig Forum’s video archive holds some 200 works from the 1960s and 70s, many of them seminal moments from the history of the moving image in art.
The three-part multi-monitor installation Earth, Moon, Sun (1990) by the video artist Nam June Paik (1932–2006) is one of the key works in the Aachen collection of Peter and Irene Ludwig.
Confident, expressive female figures are the protagonists in Margit Palme’s (1939–2025) graphic works. Her aquatints on paper were created over a period of six decades and are characterised by precise linework and a limited color palette.
With works by Christo und Jeanne-Claude, Danielle Dean, Richard Downes, Anton Egloff, Nancy Graves, Michael Heizer, Richard Long, Robert Morris, Robert Smithson und Alan Sonfist.
Curator Mailin Haberland gives a guided tour through the exhibition Margit Palme and Double Wall Project: Ulrike Müller.Confident, expressive female figures are the protagonists in Margit Palme’s (1939–2025) graphic works. […]
To mark the launch of our new director's programme, we warmly invite you to the Ludwig Forum on Friday, 27 November 2026, at 7pm.Both exhibitions explore the nature of a […]
What does it mean to engage in dialogue, to express ourselves and open up to others? How do communities take shape, whether large or small? With playfulness and humour, Colombian artist Iván Argote explores the frictions and tensions inherent to human interaction.
The exhibition public/public draws on the museum’s own history and on Aachen collectors Irene and Peter Ludwig’s commitment to collecting for the public.