Collection

Classics of Pop Art, Gerhard Richter and Georg Baselitz, graffiti painting and the Leipzig School: throughout their lives, Peter and Irene Ludwig have amassed an incomparable collection of outstanding works since the early 1960s. Donations and permanent loans from their collection are now housed in more than 20 museums worldwide. The home of this unique collection, however, is the Ludwig Forum für Internationale Kunst in Aachen, where the industrialist couple lived and from where they directed one of the largest chocolate and confectionery production operations in the former Federal Republic. The Ludwig Forum Aachen houses some 3,000 works from the collection.

The Ludwigs were among the first collectors of Pop Art. As early as 1968, they showed the new Americans in Aachen. Among them was Andy Warhol, whose unprecedented career is closely linked to the couple. In 1970, Peter Ludwig traveled to Duane Hanson in New York and acquired important groups of figures by the artist, including the Supermarket Lady. The early, scandalous presentations made Aachen a highly relevant exhibition venue for contemporary art-even before the photographic and hyperrealism of documenta 5 in 1972 began its conquest of Europe. Later, purchases by Jeff Koons, Jonathan Borofsky, Jean-Michel Basquiat, and others continued the American line.

Beginning in the early 1970s, the Ludwigs expanded their collecting activities into the GDR and Eastern Europe. Works from the “Eastern Bloc” could often only be acquired in groups, and the state sometimes had a say in the selection of works. Thus, historically relevant paintings are lined up with works by Ilya Kabakov and Erik Bulatov. Purchases in the USSR have been followed since 1983 by Bulgaria, Romania, and Hungary. Early works by Nedko Solakov and Dan Perjovschi thus entered the collection. Later, China and Cuba attracted the attention of collectors. Chinese and Cuban art in particular are focal points at the Ludwig Forum in Aachen.

In addition to the works from the Ludwig Collection, the museum’s holdings include a number of works from municipal collections. These include, for example, around 300 top-class video works by Bruce Nauman, Richard Serra, Laurie Anderson, Joan Jonas and Nam June Paik.

The following works from the collections at the Ludwig Forum are currently on display


Ground Floor:

Entrance
Julia Scher, Security by Julia (Dispenser), 2020

Hall
Nairy Baghramian, Side Saddle Damenrad, 2009
Georg Baselitz, Scheibenkopf, 1986
Peter Brüning, Straßenwand, 1968
Lygia Clark, Arquitetura Fantástica (Bicho), 1963
Jim Dine, The Field of the Cloth of Gold, 1987/88
Hartwig Ebersbach, Kleiner Hockender, 1984
Erró, Venus, 1975
Jörg Immendorff, Naht (Brandenburger Tor – Weltfrage), 1982/83
Gabriel Kuri, Items in Care of Items, 2008
László Fehér, Aus Tác, 1987
Nancy Graves, Kenya Dromedary, 1969
Nancy Graves, Mongolian Bactrian, 1969
Jeff Koons, Large Vase of Flowers, 1991
Ivan Lubennikov (Иван Лубенников), Oкeaн, 1985
Wolfgang Mattheuer, Jahrhundertschritt, 1984/85
Galina Neledva (Галина Неледва), Familienfest, 1966
Nikola Ovčinnikov (Никола Овчинников), Landschaft 2, 1988
Raymond Pettibon, $ 4,oo (I always peruse a Chaucher, a Cervantes or a Milton with delight, and ever sit down to my ledger with a sort of disgust), 1991
Adelaida Pologova (Аделаида Пологова), Adam und Eva, undated
Gerhard Richter, Landschaft bei Hubbelrath, 1969
Hans Scheib, Wedding, 1987

Library
Sighard Gille, Reifer Holunder, 1991
Jörg Immendorff, Zu Naht: die Sockelidee kam, 1985

Room 8
Donald Baechler, Bay of Bengal (Third Version), 1987-88
Ivan Čujkov (Иван Чуйков), Fragment auf Landschafts-Postkarte, 1987
Ivan Čujkov (Иван Чуйков), Ohne Titel, 1969/70
Marianne Eigenheer, Objektive Malerei, 1983
Ellen Gronemeyer, Tipsy Cat 2, 2008-09
Peter Herrmann, Tod des Vaters, 1987
Bertram Jesdinsky, Serie Baukasten! – “Blauer Widder”, “Gelber Vogel” & “Schlauchtier”, 1989
Maksim Kantor (Максим Кантор), Лицо, 1987
Konrad Klapheck, Athletisches Selbstbildnis, 1958
Brigitta Malche, Flötenmundstück, 1974
István Nádler, Der 6. Juni 1988, 1988
Igor Obrosov (Игорь Обросов), Натюрморт с телефоном, 1974
Albert Oehlen, Ohne Titel (Seerosen/Skulptur), 1984
Uwe Pfeifer, Neustädter Frühling, 1974
Viktor Pivovarov (Виктор Пивоваров), Столь долгое присутствие, 1973
Rissa, Fettprobe, 1967
Inga Savranskaja (Инга Савранская), Olja, 1974
Aleksandr Sitnikov (Александр Ситников), Studentinnen, 1972
Radiš Tordija (რადიშ თორდია), Junge, Musik hörend, 1972
Sergej Volkov (Сергей Волков), Продолжение осмотра, 1988
Dmitrij Žilinskij (Дмитрий Жилинский), Ehepaar Ludwig, 1981

Room 9
John Ahearn, A Boy from Puerto Rico, 1982
Alan Cote, Untitled, 1968
Rolf-Gunter Dienst, Momentetagebuch 10.5.68 – Natascha S. nicht in Florenz, Nr.3, 1968
Siron Franco, Noturno, 1987
Alex Hay, Steno Pad, 1966
Gottfried Helnwein, 48 Portraits, 1991
Bertram Jesdinsky, Der große Fischzug, 1990
Roy Lichtenstein, I Know How You Must Feel, Brad…, 1963
Anatolij Mašarov (Анатолий Машаров), Künstler, 1983
Wolfgang Mattheuer, Sonnenstraße, 1990
Igor Obrosov (Игорь Обросов), Bildnis von V.M. Šukšin, 1980
A.R. Penck, Der Übergang, 1963
Gerhard Richter, Teil 1 von Permutationen 1 – 1024, 1973/74

Room 10
Carla Accardi, Ohne Titel, 1965
Donald Baechler, Wienerwald, 1986
Stephan Balkenhol, Vier männliche Figuren, 1983
Felix Droese, Dampfer, 1981
Juriy Dyšlenko, Nachahmung der Vögel, 1978-1985
Gotthard Graubner, Kissen, 1964
Atanas Jaranov, Allein, 1984
Jasper Johns, Scent, 1974
Roy Lichtenstein, Sailboats through the Trees, 1984
Ivan Lubennikov (Иван Лубенников), Veranda, 1983
Lázaro García Medina, Adam (como signo propio de la finitud en lo universal), 1989
Robert Morris, Ohne Titel, 1978
A.R. Penck, Hinter Leo Berrybora dahinter, 1975
Arkadij Ivanovič Petrov, Geldwechseln, 1983
Peter Piller, Vandalismus: Bänke, 2000–2006
Robert Rauschenberg, Suzerain, 1979
Gerhard Richter, Teil von Permutationen 1 – 1024, 1973/74
Rissa, Die Klammer, 1968
Augustinas Savickas, Spaziergang, 1979
Emil Sorge, Ohne Titel, 1984
Eduard Steinberg (Эдуард Штейнберг), Komposition mit Ziffern, 1988
Don Van Vliet, It’s like a White Onion-Fleshed Pumpkin, 1985
Andy Warhol, Saturday’s Popeye, 1960
William Wegman, Remnants, 1979

“Kapellenräume”
There are currently no works from the collection on view.

Basement
Carlos Alberto Rodríguez Cárdenas, Con estudio, trabajo y fusil conquistaremos el 2000, 1987/1988
Carlos Alberto Rodríguez Cárdenas, Para satisfacer al pueblo, 1987/1988
Carlos Alberto Rodríguez Cárdenas, El turismo es cultura, 1987/1988
Carlos Alberto Rodríguez Cárdenas, Tres pasos hacia la victoria, 1988
Zlatka Dabova, Ohne Titel, 1979
Donna Dennis, Exorcising the Devil’s Work, 1973
Donna Dennis, Dark Hotel with Dark Heart (Stripes), 1973
Juris Dimiters, Stillleben III, 1984
Li Fan, Vom Dorfrand wehender Wind, 1992
Li Fan, Alle drei Tage kleiner Viehmarkt / Alle fünf Tage großer Viehmarkt, 1992
Ralph Ladell Goings, Mister Donut, 1973
Zhang Guilin, Schornstein in Rot, 1995
Li Hongren, Roter Sonnenaufgang im Osten, 1984
Roy Lichtenstein, Fish and Sky, 1967
Kim MacConnel, Exotic Travel 80, 1978
Wolfgang Mattheuer, Flugversuch, 1985
Wolfgang Mattheuer, printing plate for Ich weiß nicht, was soll es bedeuten…, 1982
A. R. Penck, Ohne Titel, 1970
Viktor Pivovarov, Fahrradfahrer, 1992
Sandra Ramos, El bote, 1994
Eduard Štejnberg, Fisa Zajceva, 1988
Stoimen Stoilov, Slawische Gottheit. Nach den Gedichten von Pencho Slaveikov, 1982
José Toirac, Hasta la victoria siempre, 1995
Andy Warhol, Portrait Peter Ludwig, 1980
Wladimir Grigorjewitsch Weisberg, Композиция геометрическая, 1981

Nina Ivanovna Žilinskaja, Ohne Titel, aus der Serie “Aachener Motive”, 1981

 

Second Floor
There are currently no works from the collection on view.

Courtyard and Loggia
Jonathan Borofsky, Ballerina Clown, 1990
Lars Breuer, Zero history, 2011
Wolfgang Nestler, Rastplatz für die Windstille, 1999
Claes Oldenburg, Colossal Ashtray, 1975

Park
Horst Antes, Lustgarten mit 7 Monumenten der Lüste oder Garten des Malers, 1967
Maija Baltiņa, Tantasdziesma [Volkslied], 1983
Gruppe Blaustich, GRUNDSTEIN mit BLAUSTICH, ca. 1976-2005
Thomas Virnich, Ludwigs Gartenhaus, 1991-93
Thomas Virnich, Rosentor, 1991
Artur Żmijewski, Bild der Lebenszeiten, Kunst der Roboter, lange Arbeit, Kunst der Lebensfreude, Gold, lebendige Gesichter, 2013

Ludwig Forum Aachen
Jülicher Straße 97–109
52070 Aachen
Tel. +49 (0)241 1807-104
Fax +49 (0)241 1807-101
info[at]ludwigforum.de

Opening hours
Tue–Wed 1–5pm
Thu 10am–8pm
Fri–Sun 10am–5pm
Closed on Monday

For booked groups and with prior registration for public tours and workshops, Ludwig Forum will be open Thursdays and Wednesdays from 8:30am–1pm.

Library
Tue–Fri 1pm–5pm
+49 241 1807 118

Guided tours and workshops
+49 241 432 4998
museumsdienst[at]mail.aachen.de

Admission
Regular € 10.00
Reduced € 6.00

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